Monday Mixtape, Vol. 165

So much great stuff for you on this Monday! We start it off with Pink Sweat$, a chubby black guy who physically (and I guess a bit musically too!) reminds me of PM Dawn (who gets a nostalgic nod on this mixtape too) while musically reminding me of an amalgamation of Frank Ocean, Bruno Mars, and Khalid. And let’s also give respect where respect is due: he’s got the best album cover of 2020 on wrap:

Another newcomer, Nick Grant, is one talented rapper. Loving “FEDS” and been listening to him a bunch recently. You’ll hear more of this guy.

As usual, Justin Vernon is in high demand. He was on a Taylor Swift track from her phenomenal new album, and he’s got an appearance on a song on The Japanese House’s recent LP.

For the David Byrne / Talking Heads fans out there: Whitney came out with a cover of “Strange Overtones,” and they put a tad of a spin on it while staying true to its roots, so I think it plays pretty well.

Speaking of Talking Heads’ covers, I recently got the 10th Anniversary vinyl edition of Local Natives "Gorilla Manor” (one of only 1,000 made!). Gorilla Manor is easily one of my favorite records of the past decade, and it always gives me nostalgic memories of where I living, what I was doing, who I was, and so much more. Albums that really bring you back to a time yet still resonate on listens today are truly special. And my goodness, does “Wide Eyes” sound amazing on vinyl! (Sorry, no Local Natives on today’s mixtape.)

Every track Arlo Parks has released in the past couple years, I’ve been totally digging. She always has good beats, and she reminds me a bit of Clairo (maybe it’s the voice?) but she’s got more rhythm. Check her out.

Finally, a favorite of mine, Sir Drake. I didn’t think the use of “baby” so often could actually turn into a catchy track. The video is also pretty funny as he’s just getting embarrassed by pro athletes on Nike’s campus (and yes, also a pretty huge marketing ploy though I don’t think Drake is on Nike but all the other people are).

Drake’s the best. I just love him. I love all the haters of Drake, and the people that don’t consider him a rapper, or think he’s weak or whatever, it’s comical to me because they get SO UPSET. It’s just like, dude, just go back to listening to Gucci Mane and leave me in peace. Not ironically, but this Drake track is all about all the dumbs rappers that talked shit to Drake and spoke of the huge life they lived, yet now they’re broke and fell off the map. The consistency of Drake’s quality is ridiculous. It’s still going. And I’m loving it.

That’s all, have a great week.

Monday Mixtape, Vol. 164

It’s Monday. So here’s a mixtape of the rap variety with a dash of the incomparable Glass Animals, who certainly know their way around rhythms.

Monday Mixtape, Vol. 163

Happy Monday, and what a great mixtape I have for you today! There’s been a lot of new stuff that’s been released as well as discovered, so buckle up.

I was surfing YouTube, and you know how if you hover your cursor over a video, it will give you a bit of a preview? Well I came across this video from some band named Parcels:

My gut instinct said I had to click on this video because these guys were either going to REALLY suck or be awesome. Mr. Mustachio in the White Turtleneck?? This guy is either a total clown or the dude can get down. So which one is it? Take a listen and make your own decision.

I was amazed by how serious and how soulful these dudes were. Not only is their music soulful, but they all look like they’re totally locked in and making love to their own sound and melody. THESE GUYS LOVE THEIR MUSIC. And who can blame them??

I've been listening to this live album nonstop on Spotify, but I actually enjoy it much more on video because you really get a feel for how all these sounds are made as the director does a great job exhibiting all of the musicians playing their tools.

Also, Parcels’ transitions between songs is really cool to watch live. Since I had never heard them before, I wasn't totally sure when a new song started because their transitions are so smooth and seamless.

Parcels only has one album from 2018, and even if you listen to that album, which is super enjoyable, you can tell how far they’ve come as musicians in the past couple years. Very cool to see a band develop in talent like this.

These boys from Down Under are like a mix of Daft Punk, a dash of the Bee Gees (or maybe it’s just that blonde dude’s hair), a dash of the Doobie Brothers, maybe a little Phoenix, all updated to current times.

So guess who else dropped new albums? Taylor Swift and Logic. I really, really, disliked Taylor Swift’s last album. I thought it was a terrible, recycled sounding waste bin of pop music. Ouch. Just when I thought it couldn’t be worse, I was right because Swift released a truly phenomenal piece of music, folklore, easily one of the best albums I’ve heard this year.

Swift’s albums flows perfectly, draws on a sound, theme, and tone, and doesn’t waver too far, creating an incredibly cohesive piece of work from start to finish. I found it refreshing that the album’s songs took on all sorts of characters and stories instead of Swift’s well-worn personal travails. It was time for her to dig in elsewhere and find emotion.

There’s not one bad track and multiple standouts. My two favorites, at least as of today, are “the last great american dynasty,” “invisible string,” and “august.”

While “august” sounds like a somewhat typical pop song, I’m a sucker for any track where the singer just really wails out in emotion, hitting a high note you rarely hear her hit. Swift does it at around 2:00, “cuz you were miiiiIIIIINE TO LOSE!”

There’s something Sufjan Stevens about “invisible string” that I love, and I thought her best storytelling was on “the last great american dynasty.”

Now to Logic. He has claimed that he is retiring so he can be present during his son’s life. An incredibly admirable thing to do, and I hope him the best. I’ve always liked Logic, and he’s always been hated on as another “white rapper,” although he’s biracial (but you’d assume is white if you didn’t bother to research him).

He’s got technical talent, and I’ve always loved his beats and influences as well as one of those rappers who seems mostly to be real to himself and not pretend he’s something he’s not. Always respected that, and I wish he got more credit that he does. But this is a great album to go out on, possibly his best.

The album harkens back to the 90s - early 00s, particularly showing some love to Outkast, Tribe, MF Doom, Kanye, and even Solid Snake from Metal Gear Solid! Once a gamer, always a gamer!

Oh, and I put Kyle on here. Great rap track.

Have a good week all, stay safe.

Monday Mixtape, Vol. 162

My Morning Jacket just released a surprise album, The Waterfall II. It’s a release of other songs that MMJ recorded while making their last album, The Waterfall. Check out my album review from 2015 of the Waterfall here!

What I’m left guessing with this second installment is that the songs on this new album are b-sides. I’ve listened through the album a couple times, and it needs many more, but “Feel You” is the standout. It’s a great ballad with a killer guitar riff that will bring you back wanting to hear the song again. Love these guys.

There’s some new stuff from a couple bands that have made frequent appearances on the mixtape: Whitney and Foster the People. There’s also some brand new bands, like the unique teenage artist, boy pablo (hailing from Denmark!) and the spacey Mildlife.

Have a great week!

Monday Mixtape, Vol. 161

Party peoples, put on some headphones and enjoy an eclectic mix of R&B, pop, electro-pop, rock, rap, soul, rhythm, and flow! This mixtape has everything, so I hope you like at least a few of the songs.

And if you don’t, I hope that one of the things my Monday Mixtapes bring is music that you don’t like at first. Have you ever noticed that some of the most impactful music for you is not kind to the ears the first time you hear it?? It’s too new, you’re not use to the sound, and therefore, you don’t like it. But that’s just a first impression! Please give everything a chance.

So I hope you don’t just listen to this mixtape once. Listen to it many times and see if anything grows on you. The first time I heard Radiohead, Kings of Leon, Kanye West, and so many more, I didn’t like it. Time and patience made me realize.

Anyways, that’s my soapbox. I’ll see myself down and out.

RIP to Pop Smoke.

Monday Mixtape, Vol. 160

Some great music today starting with the aptly titled, “Dreamland,” by the incomparable Glass Animals. These guys sound like no one else, and I can’t wait for the new album.

I heard “Edge of Town” by Middle Kids on SiriusXMU and was blown away by it. That chorus! It indelibly sticks in your mind and will not leave, you just wait!

Come to think of it, this is a pretty catchy mixtape. Every song except for Phoebe Bridgers’ “Punisher” were all songs that I liked the first time I heard them, which is usually the result of something sticky in the sound. Let’s see if it works with you!

Enjoy the Monday, I hope you had a good fourth of July amidst what has been a year that’s been a very dark test of our democracy, and the strangest fourth of July’s in my lifetime. America will endure.

Monday Mixtape, Vol. 159

Ladies and Gentlemen, it’s a good day for music.

Let’s start with the young lads from Dublin, Ireland, Fontaines D.C. I found about them through a random video I watched of their performance on Seattle’s famous radio station, KEXP.

They give off some DIIV vibes (certainly on the first track on the KEXP video for “The Lotts“), but there’s more to them than DIIV. They’re raw, and their debut album from last year spans all sorts sounds from ballad (“Roy’s Tune”) to party starter (“Boys in the Better Land”) to Irish diddy (“Dublin City Sky”).

Part of the performance was an interview, and it was interesting to hear them talk about their origins, which started with beers at pub discussing poetry. Fast forward to now, a band to watch, a sound I love.

Haim just released their third album. I enjoy it so far though there doesn’t seem to be a better song than the previously released (and bonus track) “Hallelujah.” I love the opener “Los Angeles,“ and I’ll be listening much more to see whether I get into it.

Twin Peaks is a band that started out years ago as a bunch of knuckleheads who sounded like they had just picked up their instruments as tools to drink more and get louder (that’s a compliment!), but they’ve really turned into a band that’s keeps improving and making better music. “What’s the Matter” is the most recent example.

I still don’t know what I think of Grimes’ new album. It’s good, and I don’t think I’ve given it the proper time, because if I did, I think I’d like it a lot more. I rediscovered “Delete Forever” as I listened to the album again recently, and there may be a few more to add in the coming weeks as I cycle through some more listens.

Finally, I have no idea who Israel Nash is, but he’s got some soul a la St. Paul and the Broken Bones and sound country feel a la Chris Stapleton while giving some Neil Young (who ALSO released a new album, which I hope to feature next week) vibes. That’s a pretty, pretty, good combo.

And that’s it people, enjoy your week!

Monday Mixtape, Vol. 158

Put your headphones on, put the volume on high, and let Run the Jewels wake you up.

RTJ, this generation’s Rage Against the Machine, released their new album, RTJ4, two days early and released this message:

Killer Mike has been in the news recently due to his impassioned plea to the people of Atlanta amidst the looting amidst the protests in the wake of George Floyd:

If you haven’t listened to this, please do.

So Run the Jewels released their newest album amidst a lot going on in our world and country. It’s an amazing album full of deep reflections (“I used to wanna get the chance to show the world I'm smart. Isn't that dumb? I should've focused mostly on the heart.”), humor (“I’m chubby, husky, thighs rubbin’, fuckin’ up my Levi’s”), bravado (“Stack addict, a mack with blackest fabric, I’m back”), and sense amongst chaotic and raucous beats that fill the entire air with energy.

The album is the energizer bunny, stomping and banging its cymbals. Killer Mike, as usual, holds court, and El-P plays Robin (don’t forget he also produces RTJ’s beats along with the help of others) better than anyone.

“I’m ready to mob on these fucking charlatans,” raps El-P at the end of “yankee and the brave (ep. 4).”

“Every child, woman and man / Opinion don't matter, stick to your plan / If they judge, still don't budge / Don't give a inch, don't give a nudge / Life a bitch, leave you battered and bent / Lose or win, gotta hold up your chin / And I put it on Jaime and me / We just gave you inspiration for free / The money never meant much.” - Killer Mike

You have to listen to the album yourself to feel the vibe, the urgency, and Run the Jewels holding homily. It’s epic. It’s what we need.

And on that note, I’ll leave you with RTJ’s lyrics from their last track, “a few word for the firing squad (radiation):”

El-P:
I woke up early once again, that's four days straight
I didn't wake you, baby, I just watched you lay
In the radiation of the city sun
I am in love with you, it is my only grace (Woo)
You know how everything can seem a little out of place?
All of my life, that seemed to be the only normal state
So feelin' normal never really meant me feelin' sane
And bein' clear about the truth and bein' sane have never really been the same
I used to wanna get the chance to show the world I'm smart (Ha)
Isn't that dumb? I should've focused mostly on the heart
'Cause I seen smarter people trample life like it's an art
So bein' smart ain't what it used to be, that's fuckin' dark
You ever notice that the worst of us have all the chips?
It really kinda takes the sheen off people gettin' rich
Like maybe rich is not the holy, ever-lovin'
King of nothin' fuckers, know we know you're bluffin'
You are dealing with the motherfuckin' money-money runners

Killer Mike:
It'd be a lie if I told you that I ever disdained the fortune and fame
But the presence of the pleasure never abstained me from any of the pain
When my mother transitioned to another plane, I was sitting on a plane
Tellin' her to hold on, and she tried hard, but she just couldn't hang
Been two years, truth is I'll probably never be the same
Dead serious, it's a chore not to let myself go insane
It's crippling, make you wanna lean on a cup of promethazine
But my queen say she need a king, not another junkie, flunky rapper fiend
Friends tell her, "He could be another Malcolm, he could be another Martin"
She told her partner, "I need a husband more than the world need another martyr"
Made in Atlanta, Georgia, where I use to ride the MARTA
With a empty .22 in the front pocket of my Braves Starter
Tryin' to make it out the mud as a baby father is much harder
The same children that you love and adore, the court'll use to break and rob ya
Circumstance woulda broke a weaker man, but I put it on my mama
I'm a man of honor and the hardship made me a better money runner

El-P:
This is for the never heard, never even got a motherfuckin' word
This is for my sister, Sarah, honey, I'm so sorry you were hurt (Ayy)
This is for the dawn, mama took a knock, had to change the locks
Dusted up, but brushed off and I watched, talk about a boss
For the holders of a shred of heart even when you wanna fall apart
When you're surrounded by the fog, treadin' water in the ice cold dark
When they got you feelin' like a fox runnin' from another pack of dogs
Put the pistol and the fist up in the air, we are there, swear to God

Killer Mike:
Black child in America, the fact that I made it's magic
Black and beautiful, the world broke my mama heart, and she died an addict
God blessed me to redeem her in my thoughts, words, and my actions
Satisfaction for the devil, goddammit, he'll never, ever have it
This is for the do-gooders that the no-gooders used and then abused
For the truth tellers tied to the whippin' post, left beaten, battered, bruised
For the ones whose body hung from a tree like a piece of strange fruit
Go hard, last words to the firing squad was, "Fuck you too"

Amen.

Monday Mixtape, Vol. 157

It’s Monday, and it’s music time.

Beach Bunny’s debut album gets better and better. There’s something raw but refreshing with this rock band.

Speaking of raw rock, Car Seat Headrest just released their new album, and it’s a hard left their standard fare, a bit less rock, a bit more electronic-y.

Perfume Genius has gotten a lot of press for quite some time, and I’ve usually enjoyed a few tracks from each of his albums. His latest album, the subtle titled, “Set My Heart on Fire Immediately,” is getting good reviews, but I haven’t sunk my teeth in yet.

One of the more underrated rappers of our day, Isaiah Rashad, a man who has been on the mixtape many times, finally released a new single! Hopefully, this means he’s got a record coming out, but who knows with him. The throwback sound of “Why Worry" juxtaposes with his flow and creates a song that very few in the rap world could make.

If you haven’t heard Beyonce rap on Megan Thee Stallion’s “Savage” remix, do yourself a solid and give it a close listen. What a track.

I loved Faye Webster’s debut album from last year, the mellow but terribly and nonsensically titled, “Atlanta Millionaires Club.” The track on this week’s mixtape is more the same mellowness.

You probably didn’t know, but The Strokes released another album. Their first one in six years though it really doesn’t feel that long. I guess they still need dem checks. The album is decent and there’s some tracks I enjoy, but the songwriting feels tired, like “Ugh, I gotta write ANOTHER Strokes song, fine…” and out comes a number of songs that make this album. That sounds terrible, but let‘s remember, The Strokes can write amazing songs, but now it’s more or less recycled great songs. Take it or leave it.

Happy Monday all. Stay safe.