Monday Mixtape, Vol. 162

My Morning Jacket just released a surprise album, The Waterfall II. It’s a release of other songs that MMJ recorded while making their last album, The Waterfall. Check out my album review from 2015 of the Waterfall here!

What I’m left guessing with this second installment is that the songs on this new album are b-sides. I’ve listened through the album a couple times, and it needs many more, but “Feel You” is the standout. It’s a great ballad with a killer guitar riff that will bring you back wanting to hear the song again. Love these guys.

There’s some new stuff from a couple bands that have made frequent appearances on the mixtape: Whitney and Foster the People. There’s also some brand new bands, like the unique teenage artist, boy pablo (hailing from Denmark!) and the spacey Mildlife.

Have a great week!

Monday Mixtape, Vol. 128

Oh mercy! I’ve been gone for at least three weeks, I sincerely apologize. You’ve had such a glut of music in your stomach and soul missing! I blame my “real” job, which has been getting a lot busier and very interesting. There have been a few points where I’ve felt the business is about to really turn a corner and some real momentum is gaining. The first two times were a bit of false starts, and I have no idea where the biz may go from here, but it’s another good feeling. You have to feel this every once in a while to keep everything loose and fun, and keep hope alive, so that’s a good thing. 

ANYWAYS. This week’s mixtape is going to mimic my mood, so it shall be an upbeat slew of jams.

Friendly Fires released a single, one of my favorite songs I’ve heard from them in years  it seems just yesterday that their amazing 2008 debut album was playing on repeat on my speakers.

The Japanese House released what is easily one of my favorite albums this year so far. This is certainly my fave jam on the album.

Foals continue to make really good music. I’d say I’m a tad disappointed overall in their new album since their quality control album to album has been so damn consistent, and this year’s album sounds to be one of their weaker entries, but this track and “Sunday” are still great tracks, standouts on the album. 

I’m excited to hear Foster the People’s new album. If this single is any indication, it should be a good one. Speaking of quality control, these guys only have three albums, the last two of which I thought were wildly underrated (their second album was so weird and different, akin to MGMT’s wild left turn with their awesome, crazy, and orbital second album, Congratulations) thereby making the band seem underrated and under appreciated. Yet they were headlining the festival circuit on their last album. They’re a bit of a conundrum to me, I never feel like I meet too many huge fans of theirs or hear too much about them from critics, but they’re still making great music.

Enjoy the rest of the jams and the whole of the week! I’ll see you next one.

Monday Mixtape, Vol. 91

Happy New Year to all! Given the crunch of time I was under, I haven't even gotten to post my Top 100 Songs and 25 Albums of 2017, so I will do that this week to supplement the mixtape. 

I got put on the The Palms by my buddy Dave and been listening to them for a week now. Digging the album! The lead singer reminds me a bit of Foster the People back when they made "Pumped Up Kicks." 

MGMT is back! And while I've had a love-hate relationship with their music, I'm really digging this song and hoping their album in 2018 is a winner. They have it in them. 

Yes, that is THE Michael Cera you're thinking of, George Michael Bluth and Superbad and all that other good stuff. And yes, he got Sharon Van Etten to get on a track with him. Love the song. 

 Enjoy the rest!

Monday Mixtape, Vol. 81

Palace was on last week's mixtape. They're on this week's mixtape twice. I can't stop listening to them, slowly rocking my head to their beachy blues and rhythms that just distinguish them from many others. I feel like they'd get along with the jazzy trio Badbadnotgood swimmingly, and I hear so many other influences from a ton of genres. You have to listen to their recent album from 2016. It's been on repeat for me.

Foster the People released their third album, and it's really good. There is not one song that I skip on this album. I think it's definitely better than their last album which was hit or miss. They have sultry "Sit Next To Me," upbeat and hilarious "I Love My Friends," distorted barr chord rocker "Lotus Eater," and spaced out beauties "III" (which I did not include - go listen to it yourself!)

St. Vincent has a large piece of my heart. She's a phenomenal performer, one of the few very who completely command a stage just with her presence, she's a kick ass guitarist, she loves David Byrne, she's a beauty, AND who knew, but she writes quite the ballad! "New York" is a simple and beautiful love song. Can't wait for her next album. 

I saw NE-HI on a Youtube festival and then found this track on Spotify. They're a bunch of young guys just banging away on their instruments. It's raw. 

Have a wonderful week!    

Monday Mixtape, Vol. 77

For a very short period of time, my only job will be blogging for Layers & Sounds! Not sure if that will result in more output (most likely not) as I just resigned from my job and am taking a month off before starting my own business :) 

Enough about me, let's talk music:

I know that in many years, when I'm an old man listening to vinyls of yesteryear, Mac Demarco's classic album Salad Days (read my writeup on the album - my #1 album of 2014!) will be on rotation. It's almost impossible to follow an album like that, so it's not a huge surprise that the jokester Demarco was not up to the task. Nonetheless, his new album is an enjoyable, laid-back album to put on in the background during the late night of a party. There are a couple standout tracks, including this one, "This Old Dog" (and yes, he's mainly up to the same tricks).

Kembe X is one of the newer members on the TDE label (the infamous label with Kendrick, Isaiah Rashad, Schoolboy Q, Ab-Soul, and Jay Rock), and TDE continues to find gold. I really dig this guy and am interested to hear his major label debut. "Intro" is all you need to hear to know whether you're into him as well. There's nothing particularly unique about him, but it's just good music man!

It's killing me that the last thee songs Local Natives have released as singles - The Only Heirs, Tusk, and I Saw You Close Your Eyes - are so much better than half the songs on their recently released third album. These songs would have made that third album SO much more consistent and deep. Oh well.

I was very disappointed in Feist's recent album, only a song or two stuck out, and nothing really stayed with me for a prolonged time. This track is one of my favorites, a stripped down acoustic ballad that showcases one of the best and most original voices around. I think I was so disappointed in her album because her last, Metals, was also somewhat disappointing (though def better than this one) which was after her classic - another album I will absolutely be listening to when I'm wrinkly and gray! - 1, 2, 3, 4. That album alone is enough for me, but I always hoped for another great one from her. 

Ok, let's be honest here, no one really wants to hear an entire song of rappers rap about a high fashion label, in this case Raf (Simmons I believe). If I had my druthers, no one would EVER talk about Mason Margiela (if that's how you spell it - and no, I will not Google that to double check) or any of these other really expensive "it" designers who are helping us all blow money that we probably should be saving or spending on something a bit more worthwhile. (Rant over). But you know what we do want to listen to? A song with ASAP Rocky, Quavo, and Frank Ocean! So despite the terrible lyrics, this is still a pretty great song that's wrapped up by my fave, Frank Ocean, who lets us know that he charges $2.5 million per show. Not bad, Frank. Also kind of amazing that he never performs which is probably which that price tag can be so damn high.  

Finally, I'm excited for Foster the People's third album. That's all I gotta say on that. 

Have a good week, peoples!

Monday Mixtape, Vol. 75

Apologies for my absence, I've been traveling seeing friends and family, certainly a good excuse to abandon my musical duties. But I'm back, and my goodness, there's been some great music released in the past few weeks. 

Phoenix dropped their first single off their new album, and like their other unforgettable songs, most specifically:

This week's track from him, "Rollin," features Future, a man who continues to churn out great music at a prolific pace.

I really loved Childhood's first album, and their newest single shows some promise for what's ahead. "California Light" sounds retro with horns and Gibbs-brothers like falsettos. This song's played in the twilight of a roller disco. 

Finally, Foster the People released three tracks from their upcoming third album. Their second album was super out there, something I really respected from a band that took over the world with "Pumped Up Kicks," and decided to go in an alternate direction instead of taking over the pop world further. Mad respect! 

Have a good week all!