Monday Mixtape, Vol. 120

We’re getting close to the end of the year, and per usual, I am super excited to make my Top 25 Albums of the Year and Top 100 Song of the Year lists. It’s a musical timestamp, and these playlists are not only a blast to curate, but I love looking back the many years (I’ve been doing these lists since 2012!).

ANYWAYS, this week’s mixtape has some new contenders to make the Top 100 list, and features one band I’ve really started digging recently, Maribou State. I saw that their 2018 album was on a list of Best of the Year (So Far), and the review mentioned their “masterpiece” of an album from 2015. so I started there. These guys are awesome and GREAT background music for studying, writing, etc. Their new album is pretty good too but definitely start with their 2015 release.

Speaking of great background music and new bands recently discovered, Bayonne released a new bouncy track from what I hope is on an upcoming album. Their 2017 Fallss was such a great album.

Oh, Robyn. Maybe the best pop artist out there. She released a new album, and my favorite track is the sultry lullaby, “Baby Forgive Me,” a track I have been playing on repeat.

A couple other tunes for you to discover and love on your own. Enjoy the week!

Monday Mixtape, Vol. 119

We got a rap Monday Mixtape for you because Vince Staples released one of the best rap albums of the year, FM!, Logic dropped a really good album/mixtape, YSIV, with one of the best Wu-Tang collabs I’ve ever heard (it has EVERYONE), and Action Bronson’s new album has some cool live jazz inspired tracks that I included.

LET US ALSO NOT FORGET ABOUT EARL SWEATHSHIRT. His brief cameo track on Staples’ album comes in at 23 seconds, but it is straight fire. What a beat, what a flow.

Enjoy the week and all the good rap, people!

Monday Mixtape, Vol. 118

Apologies for my absence, it’s been a hectic few weeks, including a trip to NYC and a new puppy! Her name is June. Anyhoo, I got some great music for you, starting with the one, and truly only, Colter Wall, a young man of just 23 years with a voice of syrupy bourbon and bass. WOW when you hear this guy. Definitely check his new album out.

There’s an indie supergroup named boygenius comprised of Julien Baker, Phoebe Bridges, and Lucy Dacus, and their album has little tinges of all of their sounds while being led by Baker’s (her looooooooooooNNNNNNNGGGGGG!!!! words that she’s known to sing can stretch for over 10 seconds and the scream just gathers steam as it goes (listen to “Stay Down” at 3:11 where “down” is clocked in at about 11 seconds), it’s an equivalent “wow factor” to rappers who can do a verse on one breath because they’ve mastered how to breathe into through their nose while rapping) vocals and craftsmanship. The two tracks I put on this week’s mixtape were my two faves.

I’m so happy with Young the Giant, they just released their fourth album, and it’s got to be their second best album (it’s going to be VERY hard to ever top their first album which was close to flawless and had JAM after JAM and my fave YTG song, “Islands"). There isn’t any letdown on this album, it’s paced well and has a distinct sound and numerous great songs. My favorite might be their last track on the album, “Mirror Master,” what a catchy tune.

Fleet Foxes technically just released “Icicle Tusk." As you might be able to hear, this sounds like early Fleet Foxes, and sure enough, it was made back in 2006, two years before they even released their debut album. Beauty of a song. Robin Pecknold’s voice is in my Top 5 right now.

Empress of’s sophomore album is MUCH more poppy than her debut, a somewhat disappointing surprise. That’s not to say these aren’t good songs, but I’m disappointed because her last album was so weird and unique, whereas this album (and the song on this week’s mixtape “When I’m With Him”) could have be sung by so many different pop vocalists.

Finally, The Belle Game is a band I discovered years ago because their debut album, "Ritual Tradition Habit, was this somewhat dreary, reverb-soaked, distorted sound with beautiful vocals. I’m listening to “Wait up for You” right now, and what a song!

Have a great week all!

Monday Mixtape, Vol. 117

Shame on you! As in: Listen to Shame. These guys fucking rock. The youngsters from England scream and punish their instruments with no apologies. Raw bands have such a refreshing sound. I love this album. It took a little time to come around to the screaming, but this is punk at its best. While “One Rizla” and “Angie” are certainly there two most melodic tracks on the album with the least screaming, it shows their range and talents. I constantly picture Dave Grohl hearing this and just being like, “These guys fuckin’ ROCK!” as he headbangs away.

Speaking of Dave Grohl, if you don’t hear Nirvana’s sound in The Pollies track “You Want It” with Grohl’s thundering snare drum and lightning quick drum rolls, you aren’t hearing the right song.

Is it fair to compare Anderson .Paak to this generation’s Nate Dogg? He’s more talented than Nate Dogg because his albums are better, but it seems like every song with .Paak on it bumps. Anderson .Paak continues to release some good ass vibes, and I can’t wait for his new album which will will feature the head-bopping’ “Tints” with Kendrick.

Speaking of bands that have some awesome vibes, Holy Ghost! is back! Such an underrated band these dudes continually churn out great electro-pop while all sorts of worse wannabes win popularity contests.

SOAK is a young songwriter from Ireland who I’ve written about for a couple years, and this is one of her more accessible yet sad songs. Check her out!

BTW I’m seeing Lord Huron and Tame Impala tonight (it’s Sunday afternoon now not Monday, silly!) at Treasure Island Music Festival (Shame is actually playing here, but my wife is feeling under the weather, but she’s still a trooper and wants to see Tame Impala so we’re going late :) SO PUMPED!

Monday Mixtape, Vol. 116

A great Monday for music all! I stumbled upon Brent Cobb from Rolling Stone, and I’m sold. He will give you some Chris Stapleton vibes probably just because this is the way country should sound, some twang and rock and not the recycled bland pop stuff that you hear on the radio. His second album released this year is awesome, check it out!

I spoke about Hippo Campus last week. I love this album. More songs this week.

A couple newbies in Roosevelt and Yumi Zouma to get your BPMs up. Whether you like the song or not, you gotta give it to the intro for “Take Me Back”, it’s a little LCD Soundsystem-like with a bit of Disclosure and some 80s feels maybe INXS with the keys. Cool jam!

Not sure if you ever listened to Empress Of’s debut album, but it was really out there, using samples and electronics cycling around her vocals to create this loud atmospheric chaos. It was a really unique album, one of those you hear and just say, “No one else could have thought of that.” ANYWAYS, her new track, teasing for her new album, is VERY different and leans way more towards pop. It’s kind of a love ballad. Will be interesting to see what the album is like.

Happy Monday all!

Monday Mixtape, Vol. 115

The surprise of the weekend was seeing that Hippo Campus released their sophomore album, Bambi, on Friday. And what an album! The lead singer reminds me of Vampire Weekend’s Ezra Koenig, but their melodies are a bit more out there, I’m not really sure they sound like anyone else. Their second album shows some subtleties in songwriting that show the band’s growth. This is an album that flows from front to back with slow jams bookending the albums intersected by waves of rhythms and tempos. What I’m trying to say is just listen to it!

My Morning Jacket’s Carl Broemel released his second album and this “Wished Out” track immediately reminded me of The Allman Brothers Band. Never a bad thing.

I’ve gotten on a bit of a Jeff Tweedy kick recently, one because he’s such a great lyricist, two because he’s in one the best (and most underrated) bands of the past two decades, and three because his solo album of acoustic Wilco tracks is phenomenal (it’s called Together at Last - check it out!). Tweedy has a voice that finds a place in the hollows of the acoustic guitar. This is his most recent solo effort.

Speaking of voices I love, Thom Yorke released a track from what I hope is an upcoming solo album, and Bright Light Social Hour (whose vocalist’s solo album I had on last week’s mixtape) released a new track for all to hear, the spacey “Trip with Lola.”

Finally, the killer three-piece jazz band, BADBADNOTGOOD, who do a ton tracks with rappers and bands, have just released a track with Little Dragon, and it’s a “raise your lighters” type of jam.

That’s all I got folks, enjoy!

Monday Mixtape, Vol. 113

Lots of upbeat jams for ya this week from some tried and true winners.

If you can’t notice that the first track is live by Natalie Prass, that’s because her silky voice and great band behind her defy expectations. I’ve seen her play live to a group of about eight people, and she’s a talent, one I wish got a bit more recognition.

Speaking of great live acts, the cherubic lead singer of St. Paul & The Broken Bones, Paul Janeway, gives everything he has when you see him live, and these guys just released a new album, which I’m a bit disappointed in but still looking forward to seeing them live in October to perform a bunch of their great jams, including the catchy “LivWithoutU.”

“Moonlight” might be the best Disclosure song I’ve heard, this song in a very loud car just crushes.

All this upbeat music is recipe for a little downturn in vibes which AlunaGeorge and Bas provide. The Bas album is one of the better rap albums of the year, not amazing but solid. “Tribe” with J. Cole might be my favorite track on the album, I just love when the drums come in a 0:45.

Wale has gotten better with age. It’s somewhat surprising he’s still around, but his last three EPs have been great.

Finally, we end the mixtape with BRONCHO, a no frills rock band that bring a little bit more swagger and reverb to this track than their usual. Pump it!

Have a good week all.

Monday Mixtape, Vol. 112 - R.I.P. Mac Miller (1992 - 2018)

I'm pretty torn up about Mac Miller's death. This feels like the first musician that I grew up with that's tragically passed away. His death kept me up the night it was announced, and my mind had difficulty processing a musical soul gone way, way too early.

From 2010, I watched a young, silly, goofy white rapper from Pittsburgh rap dumb songs about Donald Trump while showing his potential with "Kool Aid and Frozen Pizza" and "Nikes on My Feet. " He knew he had something behind that always cheesin’ half smile on his face in videos like he was in on the surprise that he was blowing up too.

Miller moved out to L.A. and started taking music more seriously; consequently, he started taking drugs more seriously, ultimately leading to his overdose. It really is a tragedy because his most recently released album, the phenomenal Swimming, and without a doubt his best album to date, an album that started to show his growth as a lyricist, showed that this guy had range and ingenuity.

He wrote songs with John Mayer, Thundercat, Jon Brion, and Dev Hynes on this album. He was really searching and finding something despite all his clear troubles. Swimming is a really sad album that holds onto a sliver of hope in a heavy ocean, but it was so clear he was finding himself as a musician.

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Monday Mixtape, Vol. 111

Greetings! I spoke a lot about Mac Miller on Vol. 110 as I put a recently released track on the mixtape. Well, he released his new album, Swimming, and I've really been digging it. It's got some funky vibes, none better than the Thundercat-led "What's the Use?" I can understand if you can't get over Miller's singing voice, but I applaud him for veering outside of rap only and getting a little jiggy wit it. 

The Brummies. What the hell kind of a name is that? I...don't know. But this album is a great hodgepodge of sounds and influences. My fave track is the Kacey Musgraves-assisted "Drive Away."

I mean, I had to put a new song from John Mayer on this. Apparently, now that he's 40, he's a new guy! You can date me now, girls! You'll see me in a new light, I swear. Uhhh ok. 

Big Red Machine is one of Justin Vernon's thirty bands he's in outside of Bon Iver. This one is with The National's Aaron Dessner. Looking forward to the album which is coming out shortly. 

This new Travis Scott album is awesome. I've never listened to him before, and "COFFEE BEAN" is not a good representative track from his new album since no other song sounds like this. He's more on the auto-tune stuff with his other tracks, but I love it. I was surprised how good it was, and from what I've read on the interwebs, it's his best release to date. Listen!

Have a good week all!