Monday Mixtape, Vol. 223

Over the many years since I met my wife, I have slowly warmed up to country music. It’s the genre du jour at her family’s house. I got introduced to legends like Waylon Jennings and Garth Brooks and newcomers like Midland. Not to mention Kacey Musgraves, who I was following by the time the classic, Golden Hour, came out and was my #1 Album of 2018.

Welp, I there’s another classic album to add to the repertoire: Morgan Wallen’s One Thing At A Time.

My first few thoughts when I heard this album:

• There are like 8-12 legit hit songs on this album.

• I’ve never heard an album that’s 36 tracks long I can play all the way through.

• He’s very clever with words and melodies.

• He’s a musical shapeshifter, fitting into different molds of music like rap (“Sunrise” and “180 (Lifestyle)”), John Mayer pop rock (“One Thing At A Time” and “Me + All Your Reasons”), Kings of Leon (“Hope That’s True” and the general tone of a specific reverb-y electric guitar you’ll hear throughout), and of course, country, but in so many sub-genres.

• This will have to be one of my top albums, if not my #1 album of the year.

I don’t care if you don’t like country, this album’s worth a try. And it’s really lame if you were like me and have ever said, “I like everything but country.” No, you don’t. You just haven’t found your country.

I added some other great tracks to round out Mr. Wallen, including the powerful “Never Learned To Dance” by Medium Build, a new artist I just discovered. There’s something so emotionally bare about this song, and it’s chrous. Some great lines in the song, none more powerful, “The things that I don’t know could build a million fucking houses.” I feel ya, man.

Have a good week!

My Spotify Year 2021 Wrapped

I always love when Spotify provides some details on my listening patterns, habits and overall time spent just jamming out to music. While I will never top my 101,000 minutes of music in one year, I still enjoy these and wanted to share what I had, including:

• 62,510 minutes listening to music!

• 1,377 Artists listened to

• 149 musical genres listened to

• I’m in the 0.5% of listeners to Mac Miller this year

Monday Mixtape, Vol. 200

I had forgotten how loud indoor concerts could be. Band of Horses graciously reminded me this past week as they ripped and their speakers EXPLODED in distortion during “Is There a Ghost.” All concerts are loud, I suppose, but sometimes, they’re really, really, loud. This was one of those. My ears were awash in sirens of ringing, and I could do nothing but smile as a few people rushed to the exits in dismay.

As the song ended, someone tapped me on my shoulder. I came to the show solo, sitting in the balcony in line with the sound engineer. I turned my head to locate the tap, and a gentlemen, sitting down, with a walker to his left, easily 80 years old, gives me two thumbs up with a big smile on his face, basking in the enormity of sound. I gave him a fist bump, helped him get on his feet at the end of the show, and we went on our way. 

This week’s mixtape features a number of tracks Band of Horses played at the show, including two covers, one by Brooks & Dunn and another by INXS. For the record, both covers were phenomenally well done, and I thought the INXS cover was better than the original. But I can’t disrespect Brooks & Dunn, that’s just a great damn song.

Have a great week!  

Monday Mixtape, Vol. 189

Hello, all! There’s been much great music released in the past few weeks, I can’t fit nearly everything into one mixtape! Two of my favorite rappers, Vince Staples and Isaiah Rashad, released my two favorite rap albums of the year.

John Mayer released a new album. Brittany Howard, lead singer of the great Alabama Shakes, released an album of remixes to her solo album, including remixes by Childish Gambino, Bon Iver, Little Dragon, 9th Wonder, Jungle, to just name a few!

Power duo, Big Red Machine (Justin Vernon and Aaron Dessner) released an EP with some other superstars collborators like Fleet Foxes and Taylor Swift. Then Billie Eilish, Clairo, Leon Bridges, and Logic released an album. And don’t forget about Inhaler, a young Irish band who are writing some catchy rock songs.

So this is bordering on a ridiculous amount of music I have to listen to, and all I’ve had on repeat the past few weeks is Vince Staples (on this week’s mitxtape) and Isaiah' Rashad’s new album released on Friday (which will be featured on next week’s mixtape). Rashad hasn’t released an album in five years, and I’ve been loving him since his phenomenal 2014 debut, Cilvia Demo.

But today’s mixtape is more about Vince, a rapper I’ve been writing about for years. He’s one of few introverted rappers, a guy who, album after album, seems unhappy and consumed with rawness of the world before his eyes in his hometown, Long Beach, California.

Each of his six albums, starting with his debut in 2014 (like Rashad), are unusually short (4 of his albums are 21-23 minutes!), which I love, and unusually different, which I love even more!

I’ve been blown away by his latest album, Vince Staples, because he shifted his cadences, his beats, his sound, his whole palate. Many times the mark of a great song is when you say to yourself, “No other artist could have made this song what it is.” Staples does this numerous times, specifically in “ARE YOU WITH THAT” (maybe the most familiar sounding track to his older stuff) “TAKING TRIPS,” “LIL FADE,” “TAKE ME HOME.”

I still have a lot more to study on this album, but he and Rashad are at the top of my albums of the year list so far.

Monday Mixtape, Vol. 144

I got to see John Mayer last Monday at the Chase Center, the third concert ever there (Metallica was the first obviously), and despite the terrible seats - they were second to last row in the whole building and in the complete corner of the arena, we could barely see anything - the sound was phenomenal, and John Mayer straight shredded the guitar, AND his voice sounded the best I’ve ever heard it live

I’ve seen Mayer three times since he released one of my favorite live albums ever, Where the Light Is, and this performance was far away the best of the three and had some very cool similarities to his live album. (It didn’t hurt that he played for three hours either! There was no opener, Mayer played form 7:45 - 10:45, pretty awesome.)

If you notice on Where the Light Is, Mayer changes his vocal cadences (he sings in different rhythms than his cadences on the songs on his studio albums) on a number of lines in different songs, and he did that with a lot of his new material from his latest album, The Search for Everything. It’s those subtle changes I find interesting, ways to tweak things here and there VERY FEW artists do to their vocals when performing.

He also had these awesome segways into songs. For example, take “I Don’t Trust Myself” on the live album:

This intro up until 1:57 is a segway into what then becomes the album version of “I Don’t Trust Myself.” He did this with a ton of his new songs, and as a listener (or as a guitar player myself), you’re trying to find the key or the chord that this “intro” is in so you can identify the song he’s going to go into - sometimes Mayer (and his amazing band) completely surprised me as I had no idea where they were going, and then they smoothly segued into “Slow Dancing in a Burning Room” or a handful of other songs. I would just sit back and go, “Wow.” Mind blown.

I was trying to provide some context to friends at this show with how amazing his guitar playing was, and one way I tried to explain his ability and the level of difficulty was in explaining all the ways he bends his strings to hit a perfect sound EVERY TIME. When you bend a guitar string, it makes the note either higher (bend string up) or lower (bend string down), and I said that imagine each string can be bent 1 inch, and there are 10 different notes you can hit as you bend (one each 0.1 of an inch bent up or down), he’s able to hit the same note, at say 0.6 inch of a bend up, OVER and OVER again, always knowing PRECISELY how much to bend the string. And in his solos in one show, he’s bending the strings hundred and hundreds of times, hitting the right notes every single time. No joke, I’ve listened to Where the Light Is hundreds of times, and I CANNOT hear him hit one wrong note on his guitar or his vocals.

It’s truly amazing, I think he’s the best guitarist alive (not including all the 1960s dudes still alive but not exactly in their prime, like Eric Clapton), I just don’t know who compares to him right now.

ANYWAYS, I put John Mayer’s newest song to start this week’s playlist, a song that has no room for solos, and is just a very mellow track that really grew on me. Can’t get enough of it now.

As for other great artists on the mix, check out Jay Som’s new album, it’s very good and definitely making my Top 25. I still need to give the solo album of Alabama Shakes’ lead singer, Brittany Howard, more time to marinate, but I like this track. And some more Ghostface Killah for you cuz the dude knows jazz.

Have a great week!

Monday Mixtape, Vol. 111

Greetings! I spoke a lot about Mac Miller on Vol. 110 as I put a recently released track on the mixtape. Well, he released his new album, Swimming, and I've really been digging it. It's got some funky vibes, none better than the Thundercat-led "What's the Use?" I can understand if you can't get over Miller's singing voice, but I applaud him for veering outside of rap only and getting a little jiggy wit it. 

The Brummies. What the hell kind of a name is that? I...don't know. But this album is a great hodgepodge of sounds and influences. My fave track is the Kacey Musgraves-assisted "Drive Away."

I mean, I had to put a new song from John Mayer on this. Apparently, now that he's 40, he's a new guy! You can date me now, girls! You'll see me in a new light, I swear. Uhhh ok. 

Big Red Machine is one of Justin Vernon's thirty bands he's in outside of Bon Iver. This one is with The National's Aaron Dessner. Looking forward to the album which is coming out shortly. 

This new Travis Scott album is awesome. I've never listened to him before, and "COFFEE BEAN" is not a good representative track from his new album since no other song sounds like this. He's more on the auto-tune stuff with his other tracks, but I love it. I was surprised how good it was, and from what I've read on the interwebs, it's his best release to date. Listen!

Have a good week all! 

Monday Mixtape, Vol. 74

My love of Cousin Stizz dates back to 2015 when he released his debut album, Suffolk County, a pure and sincere rap album with no gimmicks, features, or pop songs, just raw as hell Stizz. He's been getting some buzz recently which would explain how he got Offset (from Migos) to feature on this week's opener. What a beat and a catch hook. 

I'm not exactly sure who Ron Gallo is, but if this song - the first track on 2017's HEAVY META - is any indication, the guy is a throwback. "Young Lady, You're Scaring Me" sounds like a song destined for a scene in a Scorcese movie when someone has done entirely too many drugs - as always happens in his movies - and is on a hotel balcony, teetering on the balcony, their life in the balance.  

Whitney just makes great background music. I put them in the same genre as Real Estate but with a bit more pep and soul. Love these guys. 

Spoon has once again released another really good album. I spoke about this a bit last week, but they are one of the few bands that adapt their sound a bit here and there and continue to make quality music while staying relevant over a timespan that any musician would strive for. 

If you forgot who Taleb Kweli was well shame on you! How could you forget one of the best rap albums of all time, Mos Def and Taleb Kweli Are Black Star, and one of my favorite rap songs:  

Kweli released an album with Styles P and this is my favorite track. Glad to hear he's still after it.

Don't know who Soulwax is, but this is one funky electro song. As for John Mayer making his way back on to the mixtape, I just thought "In the Blood" was a great song on what we have instilled in us from our parents and everything we've been through: Will it wash out in the water or is it always in the blood? 

Finally, Slowdive hasn't made an album since 1996, so we'll say they were due for some new music. If you can't hear their influcene on DIIV, well listen to DIIV again!

Monday Mixtape, Vol. 73

Oh man, oh man. Kendrick. Let's start off with the fact that he released one of my favorite songs of the year, The Heart Part 4:

A song with three different beats that Kendrick destroys with a confidence and abandon that no other rapper alive could think of doing. This man KNOWS he is the greatest rapper alive. "Don't tell a lie on me, I won't tell the truth bout you," he threatens to all the shit talking rappers with little to back up against Lamar. 

This track was released prior to Lamar's album, DAMN. released on Friday. Because of the quality of The Heart Part 4, I was amazed by its absence on his new album. I thought, "Ruhroh. Either's he gone mad to not include something this good or his new album is so great he doesn't even need this track." 

So yeah, it's the latter. 

DAMN. is the astonishment of everyone hearing this album for the first time. DAMN. is the thought when Lamar announces on the first real track, DNA, aside the bass rattling, "I got loyalty, got royalty inside my DNA. Cocaine quarter piece, War and Peace inside my DNA." DAMN. is the realization that Lamar is now one of the best rappers of all time. There are too many damns that you almost stop giving a damn. But, really, DAMN!

I'm going to try to do an album review sometime soon of DAMN. because it's an astonishing piece of art. It's already getting crazy love on the interwebs, and as I am typing this, I am counting down the minutes until Kendrick headlines Coachella which can be watched (and almost all of Coachella, for that matter) for free on YouTube (God Bless America)! 

There's so much other great stuff going on in music right now, some of it included on this mixtape. Little Dragon released a pretty great album, Spoon released a quality album (they just don't make bad records - I don't like this one as much as They Want My Soul - probably because it doesn't have a track like Inside Out, but it's still a damn good listed), John Mayer released his best album since Continuum (more on this next week though I've written a ton about most of the songs on the album already since they were released in EPs before the whole album - this is some new gimmick thanks to Spotify and all the other streaming companies), Joey Bada$$ released a damn good sophomore album, and Father John Misty released an album which starts great but quickly falls off a boring ass cliff of regurgitated songs from his last two (great) albums. 

So this is a good one. Enjoy! 

Monday Mixtape Vol. 69

"Slide," the new track from Calvin Harris, Frank Ocean, and Migos has to be an early contender for song of the year. I assume this is going to be a huge hit everywhere (if it isn't already) because HOW CAN YOU NOT LIKE THIS SONG?? 

Hippo Campus was a band I wrote about one whole year ago when they released a super catchy EP and compared them to Vampire Weekend and Local Natives. With the release of their debut album a week ago, the comparisons to Vampire Weekend will surely continue while the songs continue to keep me bopping my head. These guys just make you feel good listening to them. Their music puts a smile on your face and also plays as great background music with its balance of upbeat but chill vibes. Def start digging into this album if you like the two tracks from this week's mixtape!

John Mayer released part 2 of his EP, and I definitely enjoy it more than the first one. "Helpless" sounds like a b-side from his "Heavier Things" and "Continuum" era albums. This has that catchiness of a "Vultures" a similar little guitar lick. When he's on, Mayer makes some great pop music with a touch of blues.

I told you I would have another Future song on this mixtape! He released his second album in two weeks (and was rumored to be dropping in three albums in three weeks - but that didn't happen)   and I've been listening to it non-stop. I can't particularly describe why I like Future. I remember not liking his music when I first started listening to him, but as I began to accept his auto-tuned voice, I started to hear his different rhythms and flows and ability to ride with a song. "Incredible" is Future with a little reggae beat and a hook that keeps you coming back for more.

Circa Waves' 2015 album was a really fun uplifting album that always makes you feel like you're soaking in sun at the beach. See: T-Shirt Weather:

Their music is not particularly original or transformative, but it just feels good to listen to. They have a ton of energy, and this single from their upcoming album gives them a bit more grit and rock n' roll. Excited for the album. 

Have a good week!