Monday Mixtape, Vol. 9

The Weeknd has always had an original voice and a unique sound, so I was thrown for a bit of a loop that his vocals sound so much like Michael Jackson on "I Can't Feel My Face." It's apparent with each note that he's in a range or tone he hasn't hit before, but I imagine this one could be a big hit. Definitely deserves the first track on the mixtape!

I couldn't really get into Unknown Mortal Orchestra's new album, but this song has all these different elements, from the weird Wild West-sounding start, to the funky rhythm, to Ruban Nielson's delicate vocals.  

Hopefully you remember "Polish Girl," and if not, please listen to this immediately:

(Side note: If you really like this track, check out my Stop, Drop, Electro-Pop, Vol. 1 playlist, which is a totally kick ass set of electro-pop jams which I made back in 2012 (so yeah, the tracks may be a bit old but they're still awesome). Does anything beat the start to "Shuffle???":

A playlist within a playlist?? So meta.)

Back to the story at hand, Neon Indian has been out of the spotlight for a bit (his last album was in 2011), but he's dropped his first single, "Annie," which many are hoping will lead to a new album!

Cheerleader, a band from Philly who just released their debut album, is in the pop rock genre similar to a band like Walk the Moon. These loud pop songs with distortion always seem to get me!

I stumbled upon Seoul somehow, and I placed the first and second track back to back because the first track slowly sets up a perfect transition into the second song, the catchy but sedate "The Line." Just listen to how well it flows! So cool. I have a thing for first tracks that intentionally bleed into the second, as I've spoken about with The Maccabees and Bombay Bicycle Club.

Florence Welch has a voice that commands respect. There aren't many making music with vocals like hers. She sounds like she's screaming from the top of a mountain for the world to hear while hitting notes mere mortals could barely even play on a piano. "What Kind of Man," is a Florence lashing out against a lover who she can't seem to leave, and she sounds pretty pissed about it. Can't wait to see her live at OSL!

Monday Mixtape, Vol. 8

Good Morning! Hope the weekend treated you well. It's especially a good Monday because The Maccabees are back on Spotify! For some reason (due to their record label I imagine), their amazing album, Given To The Wildwritten up and loved by yours truly, is not on Spotify, but their new album is set to release sometime in 2015, and their first single, "Marks To Prove It," IS on Spotify, so hopefully the album will be as well. The single is an in-your-face rock song that I've been listening to incessantly for a few weeks. Their sound changes constantly from song to song, so I still have no idea what the new album may sound like, but needless to say, I'm pretty excited.

Halsey, a 20 year old American, just released this track that should instantly remind you of another talented young singer, Lorde. This song is pure pop. It's catchy as hell, and I love the disdainful lyrics about the music industry complex, again like Lorde. 

Although I wasn't overly impressed with Strange Names' debut album, "Ricochet" is a great track!

For the hip-hop heads out there, "Countdown" has to be right down your alley. Great beat, great hook, and Consequence and Lupe Fiasco together on a track?? Yes please.

Jamie xx's (member of The xx) debut album, In Colour, has been getting a ton of love from critics all over. I've been enjoying the album as there are so many different types of music packed into the album which really showcase the true ability of a DJ - to understand and appreciate the multitudes of elements and genres of music yet make them intertwine seamlessly to the listener. It's a hell of an accomplishment of an album to veer so heavily in different directions yet still be listenable from front to back. Jamie xx's track on this mix, "I Know There's Gonna Be (Good Times)," starts will some old soul sample then veers into a reggae-ish beat with "it" rapper Young Thug giving his off-kilter signature delivery. Yeah, it's a bit weird, but we all need to keep it weird (right, Austin?). 

Finally, Moses Sumney is a singer/songwriter I just stumbled upon because Pitchfork named one of his tracks Best New Track. This track, "Plastic," is just a simple ballad that spoke to me. Simplicity at its best.

Album Review - The Maccabees - Given to the Wild

The Maccabees, a pretty well known band in the UK pretty well forgotten in the States, released their third album, Given to the Wild, in 2012. The album won NME's Best Album of the Year.  It was listed as #15 in my Top 25 Albums of 2012, and now that I'm listening to it again, I think it deserved to have a higher ranking.

The album is an original. I can't think of any apt comparisons other than Bombay Bicycle Club's So Long See You Tomorrow (especially the atmospheric intro tracks that flow right into the second) sounding somewhat similar, but the BBC album pales in comparison.   

This album is all about love - that which we follow, idealize, grab and grasp for, then take for granted and ultimately lose.

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Top 25 Albums of 2012

2012 starts and ends with Frank Ocean. Channel Orange is an album that I will play until the day I die. It’s beauty - naked and fragile at times yet full bodied and confident in others - is unlike any other album to compare to in the past decade. Ocean’s falsetto on “Thinkin Bout You” wails in sincerity. His epic “Pyramids” runs a wild gamut of funk, R&B, hip-hop, and electronic elements. I always find it an amazing accomplishment to have a song that’s over 6 minutes (this being 9:53) that I can listen to constantly. 

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