Monday Mixtape, Vol. 196

I’ve never given Halsey a chance, mainly due to the fact that she got famous because of a feature on a Chainsmokers song, a band that hits about every note for my stereotype of shitty bands.

But did anyone else see her performances on Saturday Night Live this weekend?? I thought they were both phenomenal. Her vocals, something that time and time again, ESPECIALLY with pop artists, sounds terrible on SNL was spot on.

And of course she gets bonus points for bringing our Lindsey Buckingham for her second song, “Darling.”

Buckingham’s acoustic Taylor guitar (I have one myself) has such a gorgeous tone. It’s bright, clear, and sings in reverb. THAT sound is a Taylor guitar.

Talk about two different songs! The album versions start and end this week’s mixtape.

Enjoy the other jams and have a good week!

Monday Mixtape, Vol. 195

The star of this week’s mixtape is Falle Nioke, a man from Guinea now living in the UK. I stumbled across “Leywole” which stopped me in my tracks. What a sound! What a presence. What a beat.

There’s something going on that I can feel. Something hopeful and energizing. The success and future of bitcoin (and cryptocurrency in general) - a transparent and decentralized currency that can essentially be owned by anyone for any amount which no government can control, usurp, or overtake - is setting the stage for the emergence of sort of a global community no longer defined by borders and lines on maps.

Yes, there will still be wars and extremist religions and corruption and greed, but these things will be harder to finance (like US taxpayers paying $2T for a war in Afghanistan that cost 170,000 lives, 47,00 of which were Afghan civilians) because the world population will have control of the money, and that is where power lies.

There will still be borders separating countries, but those physical representations will fade as technological advances and “cloud communities” (as Balaji calls them) will become the norm. This is a decade or decades away, but it is happening.

Why the hell am I saying this? Falle Nioke may be singing in a different language, but I feel like I understand him. I feel connected to him in a way I haven’t felt before with a person singing in a different language. And I think it represents a connection I hope occurs globally with all sorts of people with different life experiences, upbringing, cultures, norms, and so much more humanity could benefit from understanding more.

A lot to come to mind by just one song, I suppose.

Happy listening.

Monday Mixtape, Vol. 194

This Saturday, I had the joy of seeing My Morning Jacket in concert at the beautiful, one of a kind, Greek Theatre in Berkeley, CA. It was my third time seeing them, and my first concert since pre-COVID. As they always do, MMJ kicked ass, starting their set with the hard rocking, riff-spitting “One Big Holiday,” followed by the classic, “Touch Me I’m Going To Scream, Pt. 2” (and yes, Pt. 1 was played later!), and then into “Wordless Chorus.”

Their setlist was an epic spectrum of their entire discography. They played at least one song from every single album except for their first (and worst, IMO), The Tennessee Fire. They even played one of my favorite MMJ songs, “Steam Engine.”

They played their two newest songs, one of which, “Love Love Love,” I started this week’s mixtape with. It’s a great song with a distorted guitar’s bull rush of rhythm, constantly pounding and leading the track while the Carl Broemel falsetto of “Na Na Naaaa” adds a catchy hook.

One track from the show, “Wasted,” was an unknown to me. It’s the second to last track on their most recent album, Waterfall II, and the track has one of the best changes of trajectory (coming in at 2:20) that MMJ has ever done.

All images by @jayblakesberg taken @greekberkeley

“Wasted” takes a route you would never expect it to take, particularly because listening to the first two minutes of this track doesn’t add much to the imagination, and then BAM, we go to funky town on the keys (as the rainbow lights shined down while they played live) and then the horns come in, and then the song comes back around, jumping in line with the original trajectory of the track. What. A. Song. So cool to see live.

The concert was a reminder that MMJ stands in the Mount Rushmore of rock bands over the past two decades. There is an aura MMJ exudes, one that bands rarely shine.

Here’s the setlist of the show if you were curious:

Monday Mixtape, Vol. 193

All sorts of stuff on this week’s mixtape to absorb! I had never listened to Deafheaven until this past week, and I really dig their new album. They’re best described as shoe-gaze rock (although many categorize them as metal, which I imagine comes from their previous albums because this album doesn’t have much metal sound albeit some screaming and kick ass distorted guitars), and if you like the band Nothing, these guys are for you!

My buddy introduced me to The Brook & The Bluff, and I think this track from their 2019 album is the best. Great rhythm, good singer, upbeat.

More Kacey Musgraves for all those who didn't get enough of her on last week’s mixtape.

Remember Sneaker Pimps?? Remember the greatest song that every 90s kid should know?

Well they’re back with their first album in…checks Spotify…double checks Spotify…19 years!! I need to listen to it a bit more because they have their own sound, but if you like “Fighter,” listen to the rest of the album.

And finally, a band that is slowly becoming one of my favorite bands, The War On Drugs. They’ve released two new singles from their forthcoming album on October 29th. They are on an epic run as their last two albums were phenomenal. Each year, I love both albums more and more (and I still need to listen to their three earlier albums much more.). Also, the markings of a special band is when they’re even better live. These guys are a must see in concert.

That’s all I got. Enjoy the week!

Monday Mixtape, Vol. 192

Kacey Musgraves shocked me with a newly released album on Thursday! Her last album, Golden Hour, was my #1 Album of 2018, and received all types of awards. It’s a classic, an album any artist would kill to have just one of.

After any classic album like this - I think of Tame Impala’s Currents or Arctic Monkey’s debut album - There’s a lot of expectation for the next album but also a bit of leeway because it’s very, very hard to recreate perfect again, and a band has to go in a totally different direction - think Radiohead’s Kid A - to make another classic. Usually, the album after a classic sounds like a B-Side to the classic: similar sounds, still great tracks, but not the same magic. Musgraves’ star-crossed is the latter.

It’s a very good and listenable album, nowhere near Golden Hour, and is more of a mellow, stoner’s ride through Musgraves’ divorce peppered with some sass and pop.

It’s a wistful goodbye to her marriage and ex-husband. Given the stage she has, she was reasonably kind to her ex (and who knows what all really happened, of course, you never get both sides). Though she makes her point that he couldn’t handle her fame and attention.

It wasn’t a revenge “Dear John” Taylor Swift-style attack, it was more of a retrospective and thoughtful, “So I think this is how we got here…” with a few punches thrown in here and there.

Her vocals carry everything. She has such a delicate and gorgeous voice, and it sounds like no one else. That’s her biggest magic trick to me, and as she keeps experimenting with sounds (and drugs!), it will be interesting to hear where she goes.

On another note, Isaiah Rashad dropped a new version of “H2BU” which trims the fat from the track on his new album. “H2BU” on his album is seven minutes and two songs in one, and the first song is amazing and not so much food the second song. So he created a version where it was just the first song, one of my favorite tracks on one of my favorite albums of the year.

Drake’s new album is pretty disappointing, but I have to listen to it more. There are still great tracks. I love how he comes right in and attacks “No Friends in the Industry.” Great rap track.

Now this song by Jack Harlow and The Homies, “White Lies,” was more of what I was hoping for with his recent album. This is just a feature he’s on, but it’s pure Harlow.

Disclosure released some tracks, and no surprise, the songs are awesome. These guys have quality control down.

Monday Mixtape, Vol. 191

Happy Labor Day all and apologies for my weeks of absence. Fortunately, there’s been no lull in music! All sorts of new albums to dig into like Chvrches, Drake, Jungle, Kanye (27 tracks??? 1 hr 48 min?? Sigh.), and a bunch of others. I’ll get to Drake and Kanye next week.

Chvrches new album, Screen Violence, their fourth, is right up there with their phenomenal debut, The Bones of What You Believe. Lauren Mayberry knows how to sing a hook and her melodies are on point, exemplified by two tracks on this week’s mixtape.

Then we have Jungle. I don’t even know how to categorize this band, but they’re a great band to throw on for background music at a party. Upbeat, rhythmic, and all sorts of soul and beats to keep your head bopping.

Nas has a new track with Lauryn Hill on it?? A reminder amidst all her craziness (I remember seeing her years ago, she was an hour and a half late to her show - the opener went off at 8:30pm, she didn’t get on until 11:00pm! I can’t believe I waited, but yes, it was worth it, because she’s that much of a talent.) that she’s one of kind.

How serene and beautiful is “Sidney’s Lullaby” by Washed Out? It reminds me a bit of “Kid A” by Radiohead but more subdued and restrained. I’m always a sucker for songs like this (“Postcards from Far Away” by Coldplay also comes to mind).

Finally, Gorillaz released an EP with a few songs on it, and I was blown away by the first track featuring an unknown Jelani Blackman rapping and an awesome beat and production behind him. Another beautiful track.

Monday Mixtape, Vol. 190

Did I mention last week that Billie Eilish released an album? Well, the first track on this week’s mixtape is breathtaking, raw, vulnerable, sexy, and unlike any song I’ve ever heard. It’s so unique it’s haunting. She’s an original. And her brother, FINNEAS, producing all these tracks really does show his genius.

Isaiah Rashad is one of the most original voices in rap in a decade. No one sounds like him. You can definitely say he can sounds like Outkast and is influenced by certain sounds or genres, but his production, flows, and changes in vocals from silky smooth to smokey gnarl to in-between is rare. He’s rare, and while he’s on one of the hottest labels around (TDE, same as Kendrick, Schoolboy Q, SZA, and Jay Rock), he’s still underrated and under appreciated. Don’t just listen once to this guy and give up, listen A LOT.

Listen to his flow in RIP Young and how he transitions from a verse in a spitfire of syllables to instantly pumping the brakes in a cooled down chorus (starting 1t 0:35):

Verse
My dog out layin' down the law, ain't breakin' no laws or serving out the rock /
Southside still fuckin' in the car, still flippin' in the car, still shootin' out the car /
Lil' hotbox smokin' our jar, now I'm fuckin' on a star, hold up, I got a call /
My dog out layin' down the law, ain't breakin' no laws or serving out the rock /
Southside still fuckin' in the car, still flippin' in the car, still shootin' out the car /
Lil' hotbox smokin' our jar, now I'm fuckin' on a star, hold up, I got a call /

Chorus
Bitches say that I'm a cool cat, fuck that /
Tell them bitches I'm a Top Dawg, get shot /
Roll the window, let the propane outside /
Bunch of niggas doin' donuts /
Got the money in a headlock, big dog /
Every time we hit the red lights, just shine /
It ain't nothin' but a good day, don't die /
They ain't teach 'em how to pump fake, big shot

In other news, one of my favorite bands of the past five years, Hippo Campus, just released an LP, Good Dog, Bad Dream. Still haven’t decided on my favorite track, but I love how this bass line guides the song the whole way through.

M.A.G.S. continues to impress me with every single he releases. Who the hell is this guy??

Monday Mixtape, Vol. 189

Hello, all! There’s been much great music released in the past few weeks, I can’t fit nearly everything into one mixtape! Two of my favorite rappers, Vince Staples and Isaiah Rashad, released my two favorite rap albums of the year.

John Mayer released a new album. Brittany Howard, lead singer of the great Alabama Shakes, released an album of remixes to her solo album, including remixes by Childish Gambino, Bon Iver, Little Dragon, 9th Wonder, Jungle, to just name a few!

Power duo, Big Red Machine (Justin Vernon and Aaron Dessner) released an EP with some other superstars collborators like Fleet Foxes and Taylor Swift. Then Billie Eilish, Clairo, Leon Bridges, and Logic released an album. And don’t forget about Inhaler, a young Irish band who are writing some catchy rock songs.

So this is bordering on a ridiculous amount of music I have to listen to, and all I’ve had on repeat the past few weeks is Vince Staples (on this week’s mitxtape) and Isaiah' Rashad’s new album released on Friday (which will be featured on next week’s mixtape). Rashad hasn’t released an album in five years, and I’ve been loving him since his phenomenal 2014 debut, Cilvia Demo.

But today’s mixtape is more about Vince, a rapper I’ve been writing about for years. He’s one of few introverted rappers, a guy who, album after album, seems unhappy and consumed with rawness of the world before his eyes in his hometown, Long Beach, California.

Each of his six albums, starting with his debut in 2014 (like Rashad), are unusually short (4 of his albums are 21-23 minutes!), which I love, and unusually different, which I love even more!

I’ve been blown away by his latest album, Vince Staples, because he shifted his cadences, his beats, his sound, his whole palate. Many times the mark of a great song is when you say to yourself, “No other artist could have made this song what it is.” Staples does this numerous times, specifically in “ARE YOU WITH THAT” (maybe the most familiar sounding track to his older stuff) “TAKING TRIPS,” “LIL FADE,” “TAKE ME HOME.”

I still have a lot more to study on this album, but he and Rashad are at the top of my albums of the year list so far.

Monday Mixtape, Vol. 188

My apologies, it’s been over month since I’ve posted! Eons in the world of the blogosphere, so I am glad you’ve come back to take a peek into some new music to whet your whistle.

Before we start with the new, let’s prance in the past with a really fantastic ballad by Post Malone from his sophomore album. Despite his overall ridculousness from the face tattoos to the album names, Malone is a seriously talented pop star. “Stay” is a beautiful track, and that’s not something you’d expect to hear about a Post Malone track from an album called beerbongs and bentleys.

This topic of beautiful songs seems to be the theme on this week’s mixtape. Cautious Clay, a solo act with pipes and soul, showcases his depth, and new artist, Joy Oladukun, has to give some of you older folk Tracy Chapman vibes.

Billie Eiiish brings her brand of beauty, a slowly haunting, whisper of a track that builds and builds until it falls off a cliff, as we fall back to the start.

Faye Webster is a gem. She’s a mix between Natalie Prass and Kacey Musgraves with the rhythms of hip-hop.

And then there’s Sault. I’m not sure what to say of Sault other than they are very different and making some great music that the world is starting to wake up to. Keep your eyes on this band.

Monday Mixtape, Vol. 187

Happy Monday all! Please enjoy songs from a new rock band, UV-TV, some smooth rap tracks from the one and only, the decades-long prolific Curren$y, another good song that sounds just like all their other stuff by Lord Huron, a new rapper, Anoyd, I’ve recently discovered that has some bars man, a Post Malone-type ballad by Always Never, and even a little R&B by Jorja Smith.

That’s all I got! Have a great week.