Monday Mixtape, Vol. 196

I’ve never given Halsey a chance, mainly due to the fact that she got famous because of a feature on a Chainsmokers song, a band that hits about every note for my stereotype of shitty bands.

But did anyone else see her performances on Saturday Night Live this weekend?? I thought they were both phenomenal. Her vocals, something that time and time again, ESPECIALLY with pop artists, sounds terrible on SNL was spot on.

And of course she gets bonus points for bringing our Lindsey Buckingham for her second song, “Darling.”

Buckingham’s acoustic Taylor guitar (I have one myself) has such a gorgeous tone. It’s bright, clear, and sings in reverb. THAT sound is a Taylor guitar.

Talk about two different songs! The album versions start and end this week’s mixtape.

Enjoy the other jams and have a good week!

Monday Mixtape, Vol. 185

You’re getting transported on this week’s mixtape: Biking along the shores of the Pacific Ocean, whatever your friend gave you an hour earlier starts to kick in when the trippy track by the appropriately named Holydrug Couple rings through your eardrums, creating colors and sounds over the ocean like rainbows raining…Now as your mind and self are adequately disoriented, Wolf Alice wakes you, rocks your core as you stumble off your bike unbalanced, falling...Oidar’s track may sound a bit more clear and down the straight and narrow, but you gain consciousness in a maze of mirrors. The only way out is up, and the vocals lift you to the clouds…you’re weightless, sitting on pillows whiter than snow, as the sounds of an acoustic guitar envelop you, and an angel with a voice like Billie Eilish serenades you as you drift off to sleep…and dream something akin to a masterfully choreographed iPhone commercial with Madlib’s jazzy choral track as the conductor… your outfit changes to a faded light jean jacket and same-colored jeans, an 80s vibe and neon lights as Ryan Adams’ big head rises like the moon and sings to you...You’re back home, laying in bed. It’s bedtime. In another language, one last song speaks to you, and no translation is needed as you drift to sleep.

The magic of music compels our days.

Top 25 Albums of 2014

“As I’m getting older, chip up on my shoulder, rolling through life to roll over and die.”

Mac Demarco’s first line on the title track (and my #2 Top Song of 2014) of his album Salad Days perpetuates the strange dichotomy between Demarco’s public persona and his writing as a singer/songwriter. 

One one side, there's his public persona - goofyhumorous, playful, idioticlikable, and crude (instead of a band prayer/pep talk, I envision Demarco and his buddies playing the “Penis” game prior to stepping on stage). There's his ridiculously and I presume intentionally stupid documentary, Pepperoni Playboythat has amassed over 500,000 views. His music videos are beyond comprehensible.  His live shows are messy and completely enjoyable. I saw Demarco at The Great American Music Hall in SF, and Demarco broke his strings on three separate occasions, once asking his bassist to do a cover of Coldplay while he restrung his guitar. “Let Her Go” was played completely out of time, and Demarco laughingly stated so after they got through it. Demarco and Co. were in the middle of one song, and a fan jumped on stage, put his arms around the bassist and took a selfie. The bassist smiled happily for the camera. The show was more like a circus act, and I loved it. Demarco’s crazy persona was in full force. 

Then there’s the other side...

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