Monday Mixtape, Vol. 41

The first track - a remix by Kris Bowers - is fittingly futuristic as our world becomes enveloped in different realities like the virtual and augmented. You can’t watch a series of commercials without seeing something about Samsung’s VR set, and the Oculus Rift is apparently going to be a world changer. Although the lyrics aren’t futuristic, the sounds take me somewhere else. 

Bear Hands continually make catchy songs with their own bend to it. I immediately liked this track, while most of their earlier stuff took me a little bit longer to appreciate, but please check out their Distraction album from 2014 if you’re digging them. 

I can’t even remember how I found the next two tracks. Was it radio? Was it someone’s playlist? Either way, you may like one of the two.

Holy Ghost! is one of the more under appreciated bands in the Electro-Pop genre. I still swear by their first album and their second, Dynamics, was a great sophomore effort. “Crime Cutz” continues to slam synths and elaborate buildups while the track gains steam. 

Bas! My favorite new rapper. If you remember me going on an on about Cousin Stizz, I have very similar feelings with Bas (save for the fact that Bas is clearly getting some help from J. Cole as the album is on Cole’s Dreamville record label, and Stizz didn’t seem to get help from any established artist). Anyways, “Dopamine” is only one example of why this guy has got some serious talent. Although he doesn’t have a trademark voice, his rhythm and production exhibit his abilities. 

Had to put another track from Ray on here. His new album is out there, I’m really enjoying it. 

Have a good week!

Monday Mixtape, Vol. 40

There are certain weeks that produce such high quality music, I’m just happy to be able to curate it into a short mix. This is one of those weeks, and I don’t even have any tracks from Kendrick’s new album (those to come next week). 

Everything Everything is a band that kind of defies definition. Their lead singer has quirky cadences and a laughably high tenor yet that is the reason their music sounds so unique. I’ve been listening to their new album a lot, and their first track is a great intro to these guys. 

“It Hurts Until It Doesn’t” is my favorite track from Mothers’ great new album, When You Walk A Long Distance You Are Tired. Check out the album if you dig the song. 

Day Wave has the chilled out Real Estate vibe with a bit more fuzz and fade, but I can always put him on in the background. Foxing is a band I just heard about and this track is the first thing I heard from them. Needless to say, I will be checking out their recent album from late 2015.

I’ve been listening to the folksy Lily & Madeline since their great debut in 2013. They haven’t changed their sound too much, but “For the Weak” is a bit edgier (is that a guitar solo??) than their prior stuff. 

Finally, we come to Ray. This is the first track of his new album and it’s eight minutes long! Ray’s made some six minute songs, but this is the longest song he’s written that I know of and it’s a beauty.   I love the sustain on the piano and the haunting feeling of the entire track. The song reminds me a bit of Shadowlands by Ryan Adams, a sparse yet soulful song.

Singles - Anderson East - Satisfy Me

I haven't thrown a single up for a while, so I thought I'd share this new guy I started listening to, Anderson East. He's got that retro soul sound that St. Paul and the Broken Bones have brought back as well - in fact the start of "Satisfy Me" sounds just like "Like a Mighty River":

His raspiness reminds me a bit of Ray LaMontagne and other times he sounds like the male version of Brittany Howard from Alabama Shakes.

If you dig any of those bands, I'd say his album is worth a listen. I'm not enamored with it, but "Find 'Em, Fool 'Em and Forget 'Em" is another great track.

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