Monday Mixtape, Vol. 142

Hopefully you started listening to this week’s mixtape without looking at the playlist and just listening. Because then you might have really enjoyed the first track without feeling guilty. If you looked first, then maybe you said, “One Direction!!??" and then had a preconceived notion that you shouldn’t like this song, which may have become more complicated when you really liked the song. It’s up to you whether you’ll admit or not. And that’s how we start our Monday, like it or not.

You may wonder how this track got on here. I read Rob Sheffield’s Rolling Stone article on Harry Styles, a guy whose first solo album was really, really good. It’s hard not to like Styles. His charisma, honesty, and comfort with himself (at least at his age) is disarming for someone you’d expect to be a prick.

ANYWAYS, the article included a playlist about all the music they spoke about during the interview process:

Lo and behold, One Direction features somewhat prominently on it. So I heard the track (and didn't know who it was!) and loved it. So that’s how it got on this week’s mixtape (it’s also, by the way, how the beautiful Bill Evans track made it too.)

As for the other tracks on this week’s mixtape, there’s new stuff from numerous bands I’ve enjoyed over the years - Surfer Blood, Little Brother, Vince Staples - and a new band, Gender Roles, whose album I love. These guys are like a music child of The Deftones / Wavves / The Used, and I’m digging it. There’s rhythm, some screaming, and great rock n’ roll.

And finally, a shout out to my bud Sean. He asked if I had listened to the new Taylor Swift album. And speaking of guilty pleasures like One Direction, I am wholeheartedly a fan of Taylor Swift’s 1989, a phenomenal album, but I don’t like most of her other stuff.

Nonetheless, I listened to her new album and couldn’t make it through 10 songs (let alone the fact that the album is EIGHTEEN FREAKING SONGS - which btw is a pathetic scheme by artists to get more album “play counts” on streaming services which makes “the art” of making an album NOT AN ART and instead a money, attention, and awards grab. I’m sorry, but if you’re willing to intentionally manipulate your album to succumb to these bullshit reasons, you’re a sellout, not an artist (and I hate to say it, my boy Drake is in this category too)).

The first ten songs were terrible: formulaic, her annoying falsetto that she can’t actually sing in, “rapping” or whatever you want to call her fast talking, it’s all just bad pop music to me. So I stopped listening.

BUT THEN SEAN. So like I was saying, he texts me about the album and says his favorite track is track 13, “False Gods,” a song I didn't get to because I clearly was too fed up from the reasons listed above.

The song is subtle, quiet with a bit of reverb in her voice (no falsetto!), a horn, a slow beat, FEELING. From the start it just connects. It’s an amazing song. I’m blown away by it, really, and it shows what she can do when she really does it. Or maybe it’s just me and Sean.

So this is my mixtape of teen heartthrobs and pop sensations sandwiched with hip-hop underground favorites Little Brother and one of hip-hop’s current faves, Vince Staples. Definitely a different mix this week. Hope you enjoy.

Monday Mixtape, Vol. 141

Ton of great fresh tracks for you thirsty listeners this week! From some recently found wunderkinds like Justin Peter Kinkel-Schuster (uhh…maybe just J.P.K. bro?), the rockin’ Gender Roles, and the 90s-era hideous music child of Weezer and Dashboard Confessional, Oso Oso, to some more established bands like Bombay Bicycle Club and Circa Waves, this is a Monday for the indieheads.

Enjoy!