Notes on the Hip-Hop Messiah

"Like Nas – a one-time messiah himself – Lamar, a scrawny 25-year-old from Compton, was a visual poet. You can see Compton — the burger stands, the lights of the police cruisers, the 405 freeway — in every track of “good kid, m.A.A.d. city,” just as you can see the dice games, project hallways and parks of Queensbridge in Nas’s “Illmatic.”

- Jay Caspian Kang, Notes on the Hip-Hop MessiahNY Times, March 24, 2015

Kang just wrote a great article on Kendrick Lamar, his last two albums, the classic good kid, m.A.A.d. city, and his recent album, To Pimp a Butterfly, and the meaning of "hip-hop messiah," which Kang defines as:

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David Carr - February 12, 2015

I find that in the deaths of humans we understand the depths of their humanity. A life cannot be looked upon in full until the last drop of saliva dries and they can say no more. As the clay hardens on their sculpture, others will look back and offer the impact and imprint their lives left. Some of the deceased will be looked upon fondly, souls remembered for time, while others' legacies will be left to rot, forgotten and damned.

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My Take on Kanye

I love Kanye. His music has made my life identifiably more enjoyable. The College Dropout will remain in the hip-hop lexicon forever for its originality, innovative production, and influence. My Beautiful Dark Twisted Fantasy is a masterpiece. It was Kanye’s manic brain finally putting it all together into something perfect, twisted, and human. It was his reaction to the backlash that he both deservedly and undeservedly received and the vitriol and hatred that he never deserved. I compared Yeezus to Radiohead's Kid A  - it's an album no one else could have made. He has been the most influential and relevant hip-hop artist of the past decade and no one else is close. 

Any time I become exasperated with Kanye, I’ll listen to “Last Call,” his last track on his debut album to remind me that he is a guy like us, personable and real.

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Poets & Passages - Donald Glover Interview

Donald Glover, aka Childish Gambino, aka Troy from the TV show Community, aka former writer for 30 Rock, aka this is one talented dude, had a very interesting interview with Rembert Browne from Grantland recently.  I've followed both these guys for a while, and Browne comes off as a very personable guy who asks the right (and interesting) questions and connects with his interviewees, which in turn gets the interviewee to open up. Gambino was surprisingly honest, and I thought this interview was refreshing because it felt like a true dialogue between two human beings - not interviewer vs interviewee, but two people talking. 

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Pattern Familiar

It came to my attention
one day
so late.
Over Irish Coffee -
heavy cream, whiskey,
sugar cubes, and company.
The name I have,
The name I'll keep,  
may end with me.

These talks of kings and queens,
Lineage releasing despair
for a child to walk with a sword, to speak
spreading seas, birds and bees.
So it was written.
Our only deed.

Yet days wandered to years
as time disregarded love
and rambunctiousness wrestled and wronged
the avenues we could have called home.
Because why grow up as my stubble grows thick?

Memories remain,
callouses harden from the same, the same,
and I can't remember
a day, a November,
that I wasn't alone
wrapped in ecstasy of you.
Our permanence -
etched lines of physical signs -
only stenciled.
And bruises always fade. 

If ever the rust of perception
will clear,
the beating heart in this study
will bear
not just a name, or a poem on names,
but a reason to give in.

And the grin of a doting father
will replace the temporary harbors
dancing like pieces of a cookie cracked
whose fortune read exactly as dreamt.

And I sip and think of kings and queens.

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Family Tree

There's a tree outside
whose bark's tough hide
has seen winter whither lesser trees,
summers parch lesser beings,
and the spoiled crabgrass scream,
but the tree has outlived these misgivings
to bear the brunt and toil,
see both beautiful and soiled,
and relay these lessons, these morals
to give its branches more
than Spring's shining store.

And here it stands
in the wide expanse
with its branching reaching far
to be just like the tree.
And if the tree could know
the effect of its hold, 
of the nutrients sowed,
its long embrace and let go
for the branches to thrive solo
shaking off the misery and cold
and exploding with beautiful leaves of its own.
Well, let's hope the tree has always known. 

And the branches' leaves will shed
from the burgundy to red
and whisper until the ground
that it learned a thing or two.
Age will cultivate
as rainfall alleviates
the circle of leaf, life, limb, and fate.
For the branches will grow
singing to and fro
to the tree whistling in the wind. 

There's a tree outside
whose bark's tough hide
mirror the roots that run so deep.
There's a tree outside
of heart and life
whose trunk will never cease to be.
And this tree outside - 
despite the shifts in time
and different street name signs -
will forever be ours to keep. 
And forever ours to see. 

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Bands and Money - Pomplamoose

I've always been interested in the finances of bands, especially smaller indie bands, to learn how they get by and how much money comes in and out during their tours.  We probably all remember the New York Magazine article on Grizzly Bear which revealed that despite being one of the bigger and more critically adored indie bands around, some in the the band still didn't have health insurance.

A much smaller band, Pomplamoose, just wrote a blog post about their finances on their recent 28-day tour. The bottom line:

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You'll Be Standing Next to Me

The pillars upon this earth we’ve built
solidify and modify to hold our weighty ways.
And the tears we sweat,
drip by drip,
fuel the ocean’s sway.
And those songs we sing
blow the time in sync
cascading through our memories,
building these pillars
brick by brick.

The pillars grow larger, straighter
and those cracks still show,
but we’d never paint them over,
those badges of honor
remind the true tests we’ve known.

And soon we’ll be standing on top
labeling stars,
laughing at the little people
inconsequentials conquered thus far.
And I’ll always stand
weightless with my mind at ease
knowing you were the reason,
the base and the mortar,
that’ll leave my dying days
days in peace.

And you’ll always be there
standing right next to me.
You’ll be standing next to me,
You’ll be standing next to me.
You’ll be standing next to me...

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