"Like Nas – a one-time messiah himself – Lamar, a scrawny 25-year-old from Compton, was a visual poet. You can see Compton — the burger stands, the lights of the police cruisers, the 405 freeway — in every track of “good kid, m.A.A.d. city,” just as you can see the dice games, project hallways and parks of Queensbridge in Nas’s “Illmatic.”

- Jay Caspian Kang, Notes on the Hip-Hop Messiah, NY Times, March 24, 2015

Kang just wrote a great article on Kendrick Lamar, his last two albums, the classic good kid, m.A.A.d. city, and his recent album, To Pimp a Butterfly, and the meaning of "hip-hop messiah," which Kang defines as: