It's been quite the process since there were over 200 albums to begin with as well as thousands of songs to hear to make to the songs playlist.
Anyways, those two playlists will be coming shortly, but in the meantime, here are some tunes I've been jamming to lately.
I found The New Basement Tapes randomly, but it's a supergroup of artists (Jim James from My Morning Jacket, Marcus Mumford, Elvis Costello, Taylor Goldsmith of Dawes, and an unknown to me, Rhiannon Giddens) who were all assembled to take Bob Dylan lyrics from 1967 to record. It's a very cool album which begins with this track, "Down On The Bottom," which Jim James just crushes.
G-Eazy is an Oakland rapper who has slowly but surely gained quite a following. He had a huge slot at Outside Lands here in SF, and "Random" shows his abilities. Check him out.
Bully is a raw rock band with screeching vocals and a taste for distortion. Their sound is for those who like music without perfect edges.
I wrote about C. Duncan last week, but this album is sticking with me for its dreamy sound. “Say” is the opening track of Architect and sets the stage for the rest of the album. I’m still debating whether it makes it into the Top 25, but it’s close!
Half Moon Run’s debut album last year made it into my Top 25 as they were one of the few rock bands that I heard with a bit of Radiohead in them. Their new album this year isn’t at the level of their debut, but “Turn Your Love” showcases their mix of electronics and more standard rock with barr chords and loud choruses.
Prhyme is a collaboration of rapper Royce da 5’9 and legendary producer DJ Premier (outside of Q-Tip, no one exemplifies 90s rap beats more than Premier). I just started listening to this album from 2014, and I’m amazed I hadn’t heard about ti earlier. The album features Jay Electronica, Ab-Soul, Schoolboy Q, Mac Miller, and more and is a great listen.
Finally, I wrote a short piece about Scott Weiland’s passing a few days ago (along with a Best of Stone Temple Pilots playlist!), and I thought it would only be fitting to end with an acoustic version of their most famous song. RIP.