Monday Mixtape, Vol. 149

OMG This is two times in a row - I just deleted my post again. So frustrating.

The long and skinny is go see the Netflix documentary, Echo in the Canyon, a homage to the great artists who lived in Laurel Canyon during the mid-60s, including The Beach Boys, Buffalo Springfield, The Byrds, the Mamas and Papas, and so many more.

I learned so much in this doc. I never knew David Crosby was in The Byrds, I didn’t know Neil Young and Stephen Stills were in Buffalo Springfield (and by the way, I’ve been listening to more Buffalo Springfield, they’re freaking awesome), and although I know Brian Wilson, the singer and songwriter of pretty much all Beach Boys songs, was always revered as a songwriter, I never appreciated the love and awe other musicians have of him. His genius was thought to be on a level no one could even come close to. They were comparing him to Mozart and Beethoven.

Jakob Dylan brings a bunch of current artists together to recreate and honor all these musicians and their favorite songs via both an album and a concert. Check the film out, it’s great!

As for the other songs on this week’s mixtape, it’s pretty much a mix of artists you’ve heard many times before. Twin Peaks did a cool cover of Wilco, DJ Shadow released a record of some great tracks with rappers, and after seeing Spider Man - Into the Spider-Verse, I had to include the catchy track from Swae Lee and Post Malone.

Enjoy!

Monday Mixtape, Vol. 148

Well, damnit. I just wrote A WHOLE BLOG POST, and it got deleted. It went into how this new guy, Rex Orange County, reminds me of Frank Ocean while still having his own spin on the sound. Rex is English, he’s 21, and he’s got a unique style that could only be compared to Ocean. His new album takes a few rides through to get comfortable with, but I find those artists to be the ones who last!

This track by MyKey is one of my favorite songs of the year. From the second I first heard it.

Bakar is the man. Nod your head.

A lot of other stuff on here that’s great that I don’t feel like writing about, again. Damnit.

Have a good week!

Monday Mixtape, Vol. 147

Apologies for my absence, it’s been almost a full month with no mixtapes! What ever did you do??

To kick things back off, I’m going off the reservation a bit. I had the extreme pleasure of seeing Two Door Cinema Club at The Fox Theatre in Oakland on last week, and they blew away my expectations. I can’t remember whether I’ve seen them once or twice before, but they were festival shows which typically put a damper on the lights, production, sound, length of set, setlist, etc., so I don’t think too poorly of a band if their live performance at a festival isn’t super good.

All that being said, I remember the last Two Door show being good but not great. They sounded good but their performance was nothing too memorable. Cut to last week’s show, I went with a buddy who was a huge fan of theirs and had never seen them live and another buddy who wasn’t much of a fan but loves live shows. Needless to say, by the end of the show, all three of us were blown away.

First off, their visuals and light show were epic. Really mind blowing stuff, queued up for many songs to specifically cut in and out on different beats and parts of songs, while always showing lyrics to the beat of other songs. That alone was super impressive and better than most bands I’ve ever seen.

Secondly, and more importantly, their setlist was AMAZING. As a fan, you always wish you could create the setlist to the show you’re about to see (it’s a constant dream of mine), and I always leave a bit disappointed because 'I’m like, “Why did they play that song, this song would have been so much better. And they should have closed with this song!

Two Door had pretty much the perfect setlist. The whole show was a banger with SO many hits. They played NINE of TEN songs from their best album, their debut, Tourist History. They started with one of the best songs on their new album, their fourth, called “Talk,” which was such a great way to start the show. The whole thing flowed seamlessly, and the band was doing some amazing transitions during songs which were a bit different than the recorded version. There’d be times they’d go on some tangent of the song and 'I’d have no idea if they were going into another song or what, but somehow they’d bring it back, with the light show and visuals aiding the whole thing, to the next verse or chorus of that song. “Whoa,” was all I could muster.

Sadly, Two Door is on the end of their US Tour, so if you didn’t see them already, you probably missed them on this ridiculously epic tour. Seriously, these kinds of tours where a band plays this good of a setlist with this kind of production is a rarity, and my assumption is I will never see another Two Door show as good as this one. I’ll let you know how the next one goes.

One other thing to mention before you leave me. My buddy (who loves them) and I were talking about how much we’ve listened to Two Door’s first two albums in the past decade, and Two Door has to be one of my top 5 most played bands of the decade solely because of their first two albums. Their second, Beacon, is a phenomenal album, a triumph to make something that good after a classic album where usually the sophomore albums are a regurgitation of the first. Both albums are beloved and will always be.

SO WITH ALL THAT BEING SAID, the mix this week is their setlist from the show! I’ve been listening to it non-stop, and I’d like you to come on a journey.

Long live Two Door Cinema Club.

Monday Mixtape, Vol. 146

Harry Styles is this generation’s Justin Timberlake, but he may just be more talented. He’d still have to have an album on par with JT’s FutureSex / LoveSounds, but the potential is there. I love his new track, I thoroughly enjoyed his debut album, and maybe if you heard a few mixtapes ago, I even found some One Direction tracks I liked!

Quiet Hounds was a band that - waaaayyyy back in 2012 - I was totally obsessed with due to their album Megaphona. They haven’t lived up to any of my expectations as nothing they’ve released has touched what I thought was their best song, “Calling All Gamma Rays,” but they just released a new album that I’m digging. I’ve put two new tracks and two classics on this week’s mixtape to enjoy!

Phantogram and Will Joseph Cook have new tracks for you to snag, and I have been on a huge Third Eye Blind kick as of late, and in particular, I keep listening to the second tracks of their first two albums, “Narcolepsy” and “Wounded,” two of my favorite tracks Third Eye Blind has ever made.

Come to think of it, “Wounded” is my fave song by them. It has everything I love: great lyrics and a story which feels genuine, a great build up, some orchestral elements, harmonics!, great vocals, great guitar licks, awesome use of reverb (the climax of the buildup “WOOOOOoooo ooo ooo ooo”), I mean what else can you ask for?

And “Narcolepsy” is similar in that it has a slow start which leads to a great buildup but an even better transition into a super bouncy and rhythmic track, but I really love the lyrics of “Narcolepsy” and the part where I sing along with Jenkins, building up from a whisper to an excited chant to a yell into a SCREAM for the whole the third verse:

I read dead Russian authors, volumes at a time
I write everything down except what's on my mind
Cause my greatest fear is that sucking sound
And then I know that I'll never get back out
And there's a bone in my hand that connects to a drink
In a crowded room where the glasses clink
And I'll buy you a beer and we'll drink it deep
BECAUSE THAT KEEPS ME FROM FALLING ASLEEP!!!!

And I can feel this Narcolepsy slide………….

Monday Mixtape, Vol. 145

I’m watching the Nats game, and we just blew the lead in the 6th and are now down 5-2 :(

We need some good music to turn that frown upside down!

There are two sides to this week’s mixtape: Side 1 consists of recent rap tracks I’ve been diggin’, including two tracks from Danny Brown’’ new album, uknowwhatimsayin’?, one, “Dirty Laundry,” is produced by the inimitable Q-Tip and the other has Q-Tip rapping on, so this is all win win. Danny Brown is not for everyone, but I was actually just listening to Beastie Boys, and he reminds me a bit of Mike D, no one really sounds like that voice, some may find annoying, but I think his production and songs are interesting. So that’s that.

On Side 1 is also the rapper with the worst name out there, DaBaby. I mean, really? But he just released a new album, and I am enjoying it. Couple of my fave tracks from his album join this mixtape.

Wait…now it’s 7-2. ;(

Side 2 starts with a jam from Pond, that band I really like from Australia (who is not Tame Impala…and not Silverchair), and then two tracks to mellow you out. The first is from Clairo, whose debut album I keep coming back to listen to. I’m not sure what it is about her music and voice, but it’s bringing me back months and months after it’s release. This is the last track on her album, a beautiful ending to a beautiful album.

And finally to end the mixtape, a live track from Jim James and company. Enjoy!

Monday Mixtape, Vol. 144

I got to see John Mayer last Monday at the Chase Center, the third concert ever there (Metallica was the first obviously), and despite the terrible seats - they were second to last row in the whole building and in the complete corner of the arena, we could barely see anything - the sound was phenomenal, and John Mayer straight shredded the guitar, AND his voice sounded the best I’ve ever heard it live

I’ve seen Mayer three times since he released one of my favorite live albums ever, Where the Light Is, and this performance was far away the best of the three and had some very cool similarities to his live album. (It didn’t hurt that he played for three hours either! There was no opener, Mayer played form 7:45 - 10:45, pretty awesome.)

If you notice on Where the Light Is, Mayer changes his vocal cadences (he sings in different rhythms than his cadences on the songs on his studio albums) on a number of lines in different songs, and he did that with a lot of his new material from his latest album, The Search for Everything. It’s those subtle changes I find interesting, ways to tweak things here and there VERY FEW artists do to their vocals when performing.

He also had these awesome segways into songs. For example, take “I Don’t Trust Myself” on the live album:

This intro up until 1:57 is a segway into what then becomes the album version of “I Don’t Trust Myself.” He did this with a ton of his new songs, and as a listener (or as a guitar player myself), you’re trying to find the key or the chord that this “intro” is in so you can identify the song he’s going to go into - sometimes Mayer (and his amazing band) completely surprised me as I had no idea where they were going, and then they smoothly segued into “Slow Dancing in a Burning Room” or a handful of other songs. I would just sit back and go, “Wow.” Mind blown.

I was trying to provide some context to friends at this show with how amazing his guitar playing was, and one way I tried to explain his ability and the level of difficulty was in explaining all the ways he bends his strings to hit a perfect sound EVERY TIME. When you bend a guitar string, it makes the note either higher (bend string up) or lower (bend string down), and I said that imagine each string can be bent 1 inch, and there are 10 different notes you can hit as you bend (one each 0.1 of an inch bent up or down), he’s able to hit the same note, at say 0.6 inch of a bend up, OVER and OVER again, always knowing PRECISELY how much to bend the string. And in his solos in one show, he’s bending the strings hundred and hundreds of times, hitting the right notes every single time. No joke, I’ve listened to Where the Light Is hundreds of times, and I CANNOT hear him hit one wrong note on his guitar or his vocals.

It’s truly amazing, I think he’s the best guitarist alive (not including all the 1960s dudes still alive but not exactly in their prime, like Eric Clapton), I just don’t know who compares to him right now.

ANYWAYS, I put John Mayer’s newest song to start this week’s playlist, a song that has no room for solos, and is just a very mellow track that really grew on me. Can’t get enough of it now.

As for other great artists on the mix, check out Jay Som’s new album, it’s very good and definitely making my Top 25. I still need to give the solo album of Alabama Shakes’ lead singer, Brittany Howard, more time to marinate, but I like this track. And some more Ghostface Killah for you cuz the dude knows jazz.

Have a great week!

Monday Mixtape, Vol. 143

Happy Monday all! Some jams to get your week started, and nothing bumps better than Friendly Fires! Their new album is great, a high dose of energy and electronic signals straight to the brain, and I added another one of my faves from the album on this week’s mixtape.

I’ve always had a soft spot for Post Malone ever since I posted “White Iverson” on Monday Mixtape, Vol. 19, back in 2015, many moons ago! His look and approach was always ridiculous, but the guy is as catchy as Bruno Mars and a sound all his own. I give kudos to the guy.

Malone now lives in Utah because “Hollywood’s Bleeding,” as his new album’s title states. Lots of bloodsuckers and friends who aren’t friends who become enemies, looking for a handout. I assume the Hollywood life for a guy like Posty is awesome for a period of time and then gets very weird when you realize your money and fame act like the world’s strongest magnet, attracting awful people looking for free drugs and god knows what else. So kudos to your move as well, good sir!

ANYWAYS, one of my favorite rappers ever, the one, the only, Ghostface Muthafuckin’ Killah, released a new album on Friday, and he’s got a killer track with Cappadonna and another original, Method Man. You shall be nodding your head shortly.

I’m seeing John Mayer tonight at the new Chase Center in San Francisco, and I haven’t seen him for six years when he was touring on his “Born and Raised” tour. Super pumped, particularly because he has no new album to play, so I’m hoping the setlist will be EPIC and have some mind-melting solos. Pumped!

Monday Mixtape, Vol. 142

Hopefully you started listening to this week’s mixtape without looking at the playlist and just listening. Because then you might have really enjoyed the first track without feeling guilty. If you looked first, then maybe you said, “One Direction!!??" and then had a preconceived notion that you shouldn’t like this song, which may have become more complicated when you really liked the song. It’s up to you whether you’ll admit or not. And that’s how we start our Monday, like it or not.

You may wonder how this track got on here. I read Rob Sheffield’s Rolling Stone article on Harry Styles, a guy whose first solo album was really, really good. It’s hard not to like Styles. His charisma, honesty, and comfort with himself (at least at his age) is disarming for someone you’d expect to be a prick.

ANYWAYS, the article included a playlist about all the music they spoke about during the interview process:

Lo and behold, One Direction features somewhat prominently on it. So I heard the track (and didn't know who it was!) and loved it. So that’s how it got on this week’s mixtape (it’s also, by the way, how the beautiful Bill Evans track made it too.)

As for the other tracks on this week’s mixtape, there’s new stuff from numerous bands I’ve enjoyed over the years - Surfer Blood, Little Brother, Vince Staples - and a new band, Gender Roles, whose album I love. These guys are like a music child of The Deftones / Wavves / The Used, and I’m digging it. There’s rhythm, some screaming, and great rock n’ roll.

And finally, a shout out to my bud Sean. He asked if I had listened to the new Taylor Swift album. And speaking of guilty pleasures like One Direction, I am wholeheartedly a fan of Taylor Swift’s 1989, a phenomenal album, but I don’t like most of her other stuff.

Nonetheless, I listened to her new album and couldn’t make it through 10 songs (let alone the fact that the album is EIGHTEEN FREAKING SONGS - which btw is a pathetic scheme by artists to get more album “play counts” on streaming services which makes “the art” of making an album NOT AN ART and instead a money, attention, and awards grab. I’m sorry, but if you’re willing to intentionally manipulate your album to succumb to these bullshit reasons, you’re a sellout, not an artist (and I hate to say it, my boy Drake is in this category too)).

The first ten songs were terrible: formulaic, her annoying falsetto that she can’t actually sing in, “rapping” or whatever you want to call her fast talking, it’s all just bad pop music to me. So I stopped listening.

BUT THEN SEAN. So like I was saying, he texts me about the album and says his favorite track is track 13, “False Gods,” a song I didn't get to because I clearly was too fed up from the reasons listed above.

The song is subtle, quiet with a bit of reverb in her voice (no falsetto!), a horn, a slow beat, FEELING. From the start it just connects. It’s an amazing song. I’m blown away by it, really, and it shows what she can do when she really does it. Or maybe it’s just me and Sean.

So this is my mixtape of teen heartthrobs and pop sensations sandwiched with hip-hop underground favorites Little Brother and one of hip-hop’s current faves, Vince Staples. Definitely a different mix this week. Hope you enjoy.

Monday Mixtape, Vol. 141

Ton of great fresh tracks for you thirsty listeners this week! From some recently found wunderkinds like Justin Peter Kinkel-Schuster (uhh…maybe just J.P.K. bro?), the rockin’ Gender Roles, and the 90s-era hideous music child of Weezer and Dashboard Confessional, Oso Oso, to some more established bands like Bombay Bicycle Club and Circa Waves, this is a Monday for the indieheads.

Enjoy!