Monday Mixtape, Vol. 190

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Did I mention last week that Billie Eilish released an album? Well, the first track on this week’s mixtape is breathtaking, raw, vulnerable, sexy, and unlike any song I’ve ever heard. It’s so unique it’s haunting. She’s an original. And her brother, FINNEAS, producing all these tracks really does show his genius.

Isaiah Rashad is one of the most original voices in rap in a decade. No one sounds like him. You can definitely say he can sounds like Outkast and is influenced by certain sounds or genres, but his production, flows, and changes in vocals from silky smooth to smokey gnarl to in-between is rare. He’s rare, and while he’s on one of the hottest labels around (TDE, same as Kendrick, Schoolboy Q, SZA, and Jay Rock), he’s still underrated and under appreciated. Don’t just listen once to this guy and give up, listen A LOT.

Listen to his flow in RIP Young and how he transitions from a verse in a spitfire of syllables to instantly pumping the brakes in a cooled down chorus (starting 1t 0:35):

Verse
My dog out layin' down the law, ain't breakin' no laws or serving out the rock /
Southside still fuckin' in the car, still flippin' in the car, still shootin' out the car /
Lil' hotbox smokin' our jar, now I'm fuckin' on a star, hold up, I got a call /
My dog out layin' down the law, ain't breakin' no laws or serving out the rock /
Southside still fuckin' in the car, still flippin' in the car, still shootin' out the car /
Lil' hotbox smokin' our jar, now I'm fuckin' on a star, hold up, I got a call /

Chorus
Bitches say that I'm a cool cat, fuck that /
Tell them bitches I'm a Top Dawg, get shot /
Roll the window, let the propane outside /
Bunch of niggas doin' donuts /
Got the money in a headlock, big dog /
Every time we hit the red lights, just shine /
It ain't nothin' but a good day, don't die /
They ain't teach 'em how to pump fake, big shot

In other news, one of my favorite bands of the past five years, Hippo Campus, just released an LP, Good Dog, Bad Dream. Still haven’t decided on my favorite track, but I love how this bass line guides the song the whole way through.

M.A.G.S. continues to impress me with every single he releases. Who the hell is this guy??

Monday Mixtape, Vol. 189

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Hello, all! There’s been much great music released in the past few weeks, I can’t fit nearly everything into one mixtape! Two of my favorite rappers, Vince Staples and Isaiah Rashad, released my two favorite rap albums of the year.

John Mayer released a new album. Brittany Howard, lead singer of the great Alabama Shakes, released an album of remixes to her solo album, including remixes by Childish Gambino, Bon Iver, Little Dragon, 9th Wonder, Jungle, to just name a few!

Power duo, Big Red Machine (Justin Vernon and Aaron Dessner) released an EP with some other superstars collborators like Fleet Foxes and Taylor Swift. Then Billie Eilish, Clairo, Leon Bridges, and Logic released an album. And don’t forget about Inhaler, a young Irish band who are writing some catchy rock songs.

So this is bordering on a ridiculous amount of music I have to listen to, and all I’ve had on repeat the past few weeks is Vince Staples (on this week’s mitxtape) and Isaiah' Rashad’s new album released on Friday (which will be featured on next week’s mixtape). Rashad hasn’t released an album in five years, and I’ve been loving him since his phenomenal 2014 debut, Cilvia Demo.

But today’s mixtape is more about Vince, a rapper I’ve been writing about for years. He’s one of few introverted rappers, a guy who, album after album, seems unhappy and consumed with rawness of the world before his eyes in his hometown, Long Beach, California.

Each of his six albums, starting with his debut in 2014 (like Rashad), are unusually short (4 of his albums are 21-23 minutes!), which I love, and unusually different, which I love even more!

I’ve been blown away by his latest album, Vince Staples, because he shifted his cadences, his beats, his sound, his whole palate. Many times the mark of a great song is when you say to yourself, “No other artist could have made this song what it is.” Staples does this numerous times, specifically in “ARE YOU WITH THAT” (maybe the most familiar sounding track to his older stuff) “TAKING TRIPS,” “LIL FADE,” “TAKE ME HOME.”

I still have a lot more to study on this album, but he and Rashad are at the top of my albums of the year list so far.

Monday Mixtape, Vol. 188

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My apologies, it’s been over month since I’ve posted! Eons in the world of the blogosphere, so I am glad you’ve come back to take a peek into some new music to whet your whistle.

Before we start with the new, let’s prance in the past with a really fantastic ballad by Post Malone from his sophomore album. Despite his overall ridculousness from the face tattoos to the album names, Malone is a seriously talented pop star. “Stay” is a beautiful track, and that’s not something you’d expect to hear about a Post Malone track from an album called beerbongs and bentleys.

This topic of beautiful songs seems to be the theme on this week’s mixtape. Cautious Clay, a solo act with pipes and soul, showcases his depth, and new artist, Joy Oladukun, has to give some of you older folk Tracy Chapman vibes.

Billie Eiiish brings her brand of beauty, a slowly haunting, whisper of a track that builds and builds until it falls off a cliff, as we fall back to the start.

Faye Webster is a gem. She’s a mix between Natalie Prass and Kacey Musgraves with the rhythms of hip-hop.

And then there’s Sault. I’m not sure what to say of Sault other than they are very different and making some great music that the world is starting to wake up to. Keep your eyes on this band.

Monday Mixtape, Vol. 187

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Happy Monday all! Please enjoy songs from a new rock band, UV-TV, some smooth rap tracks from the one and only, the decades-long prolific Curren$y, another good song that sounds just like all their other stuff by Lord Huron, a new rapper, Anoyd, I’ve recently discovered that has some bars man, a Post Malone-type ballad by Always Never, and even a little R&B by Jorja Smith.

That’s all I got! Have a great week.

Monday Mixtape, Vol. 186

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All sorts of sounds for your ears today! Starting with one of the most original guitarists I grew up listening to constantly, a man whose signature riffs, tones, and creativity led album after album of brilliance by the Red Hot Chili Peppers. Of course: John Frusciante. I just started digging into his solo stuff, and I can’t wait to dig more. “The Past Recedes” is a Dylan-esque song with Spanish guitar, harmonica, acoustic guitar, Frusciante’s vocals, harmonies, and no drums! It’s beautiful.

By the way, how awesome is Mdou Moctar? I haven’t even wanted to know one thing about these guys, I’ve just wanted to listen to what my (bad) linguistic ears think is a Middle Eastern language and sound mixed with rock, chants, up tempo and funky rhythms. What a song.

The Black Keys released a new album, and I’ve been digging it. The lead track on the album, “Crawling Kingsnake,” is full of low-key swagger, a rockin’ bluesy bluster.

J. Cole released a much awaited new album. I love J. Cole although I don’t love any one specific album of his, but there are many tracks from each album that I love, if that makes sense. This album might be one of my favorites, the only track I don’t like is the first, but the rest is Cole spewing fire in rapid clips.

Speaking of good rappers, I’ve been exploring Lute’s discography, and this guy is talented. He’s only got one album from 2017 amidst his come up, but he’s due for something awesome. Or not. You never really know with artists, sometimes they can put it all together into a cohesive piece of art, other times they can’t. Time will tell.

Finally, Porches (and yes, I know, my write-up is all out of order to the mixtape order, but WHATEVER MAN) is a band that I think sounds strange. Maybe catchy. But strange. Something about “I Miss That” sings to me, whether it’s a strange beckoning in the vocals or something else, I like that.

Monday Mixtape, Vol. 185

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You’re getting transported on this week’s mixtape: Biking along the shores of the Pacific Ocean, whatever your friend gave you an hour earlier starts to kick in when the trippy track by the appropriately named Holydrug Couple rings through your eardrums, creating colors and sounds over the ocean like rainbows raining…Now as your mind and self are adequately disoriented, Wolf Alice wakes you, rocks your core as you stumble off your bike unbalanced, falling...Oidar’s track may sound a bit more clear and down the straight and narrow, but you gain consciousness in a maze of mirrors. The only way out is up, and the vocals lift you to the clouds…you’re weightless, sitting on pillows whiter than snow, as the sounds of an acoustic guitar envelop you, and an angel with a voice like Billie Eilish serenades you as you drift off to sleep…and dream something akin to a masterfully choreographed iPhone commercial with Madlib’s jazzy choral track as the conductor… your outfit changes to a faded light jean jacket and same-colored jeans, an 80s vibe and neon lights as Ryan Adams’ big head rises like the moon and sings to you...You’re back home, laying in bed. It’s bedtime. In another language, one last song speaks to you, and no translation is needed as you drift to sleep.

The magic of music compels our days.

Monday Mixtape, Vol. 184

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I feel very good about this week’s mixtape. Every single track gives me the feels in one way or another. We got some rock tracks by Angel Du$t and COIN, or at the least, songs featuring guitars with distortion! Yeah mid 90s!

Speaking of mid 90s, we got an old-school like beat from the Nintendo days, my favorite beat of the year, going on during “ON CHAIN” (which - speaking of mid 90s - ends with a sample from “C.R.E.A.M.” by the one and only Wu-Tang Clan) on Brockhampton’s new album, a rap album definitely worth a listen.

On the pop front, we have a crazy new talent, Remi Wolf with the ridiculously infectious “Disco Man.” All you need to hear is her melody and rhythm on her first line to know this girl has got some talent. Then you hear the chorus…damn!

Another budding pop artist, Claud, released her new album very recently. It reminds me very much of my favorite, BENEE, but doesn’t have nearly the “it” factor, but she’s still some good tracks like “Overnight” on this week’s mixtape.

I thought this track from Fred again, “Marea (We’ve Lost Dancing)” is a track of the culmination of COVID. It’s an inhale of the claustrophobia we’ve had for an exhausting year. We lost our space. We lost hugs and people we loved. We lost dancing! But more importantly, this song is also an exhale and a celebration. The light at the end of the tunnel is there. And I can see the silhouette of a crowd in unison, packed shoulder to shoulder, looking up to a stage, heads bobbing, dancing.

Monday Mixtape, Vol. 182

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I really think this M.A.G.S. guy is going to be a big deal. There’s something to him. His track on this week’s mixtape is just a taste of his great stuff, so please dig in more.

Starting the mixtape off with some Creedence! What a song. That little riff is the reason music exists.

Morgan Wade, a country rock-ish / songwriter, released her debt album this year. Think she’s got big things ahead of her as well!

A couple oldies but goodies because I’ve been listening to them so much this past week: Post Malone and Hippo Campus. Post Malone really is a pop genius. And Hippo Campus is sneakily one of my favorite 5 bands to come out in the past five years, if not my favorite of new bands over that time. I just bought their entire discography on vinyl, and I can’t wait to absorb all the little nooks and crannies of notes and instruments that vinyl brings out (for example: I bought the 20 year anniversary OK Computer vinyl edition, an album I’ve listened to an unfathomable amount of times, yet the vinyl let me hear some instruments on a couple songs that I had never heard before!)

Enjoy the rest of the tunes and your week. Rock on.

Monday Mixtape, Vol. 181

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Happy Monday! I first heard about Mallrat by listening to BENEE who I first heard about by listening to Joji, all new artists I’ve discovered in the past handful of months. Seeing who artists choose to feature on their tracks is a great way to find new music ;)

Speaking of new music, check out King Green’s new album if you like the track on this mixtape.

Also, Benny the Butcher’s recent mixtape, The Plugs I Met 2, is really good. It’s dark as hell coke rap, a brutal honesty of a life before rapping:

This supposed to be success / then why the fuck I feel stressed out and guilty? / Cuz I’m paid and all my niggas in the Feds or the grave / that shit kill me / That coulda been me / I think about it every day / That coulda been me / I answer every call from jail cuz that coulda been me.

Go find some new music and go down the rabbit hole of sounds :)