Monday Mixtape, Vol. 172 - A Declaration of Celebration and Relief

This is a special Monday Mixtape, and I hope you can rejoice with me in the news that we have a new leader, president-elect.

So it’s only appropriate that we start the mixtape with Queen’s anthem, the same song that blared through all of DC when the Washington Capitals hoisted their first Stanley Cup as they paraded around the city in ecstasy. As much of a Caps fan as I am, our recent election results is probably a bigger deal.

While these mixtapes usually feature new music, exceptions must be made. Queen is one of them. Bill Withers another, Hall & Oates for sure, Radiohead a must.

Foo Fighters is another. They were the musical guest on SNL this past weekend, and appropriately they closed the show with “Times Like These,” an acknowledgement of times like these when we can learn to live again, to give and give again, and it’s times like these you learn to love again. Somehow I hope there’s a middle ground that can be found. But it’s times like these where’s there’s at least hope.

And what a performance by the Foos.

Many of the other tracks are a feeling, a message, a declaration of celebration and relief.

Hallelujah.

Monday Mixtape, Vol. 171

Lots of great music blasting - or should I say serenading? This is an especially mellow mixtape - through the headphones this week. So many artists I love are releasing singles in anticipation of albums or fill albums in the past couple weeks: The Staves, Chris Stapleton, Mac Demarco, Jeff Tweedy, Local Natives, and more.

We’ll start with Omar Apollo, a crooner oozing sensuality and sultriness. You may get some Frank Ocean vibes from this guy who just released a new album that’s worth checking out if you like this jam that starts the mixtape.

Joji is a pop act but an original talent as he produced and arranged all the songs on his album Nectar. “Daylight” reminds me of Borns, one of my favorite pop artists in the past few years, and “Afterthought” has some James Blake influence. His album is all over the place in a good way.

Jeff Tweedy released a new solo album. God I love this guy. I still think Wilco is one of the most under appreciated bands alive right now (Spoon is probably up there too. You know who’s NOT up there? THE NATIONAL. The most OVERRATED band alive. Though I will admit I like High Violet but I’m so very tired of listening to their lead singer fumble through his songs like he’s on his 17th glass of red wine).

ANYWAYS, any music released by Jeff Tweedy is a must listen for me. I’ve included a couple of my current faves from his recent album, Love Is the King.

Another underrated band: The Staves. Their new single “Good Woman” is released in anticipation of their third album (of the same title) to be released in February 2021. Can’t wait!

My man Mac Demarco releasd a bunch of b-sides from his last album, and I have yet to listen to them all, but “Out Of My Head” got my head bobbing. He’s so awesome.

Finally, some nostalgic love for Local Natives. I may have mentioned I recently purchased their 10th Anniversary vinyl of their debut classic, Gorilla Manor, an album that has so much emotional heft for me, memories of a specific time in my life that Gorilla Manor WAS the soundtrack.

I’ve added one of my favorite tracks (though who am I kidding, I think I love every single song) which is a bit less known as it’s buried in the back of the album.

Enjoy the tunes.

Monday Mixtape, Vol. 170

This week’s mixtape is a mix of rock, rap, folk, and whatever you want to call Kurt Vile’s laidback tunes.

I’ll start with the last, first: REASON. He’s the newest member of the infamous music label Top Dawg Entertainment (TDE), which includes SZA, Jay Rock, Ab-Soul, Schoolboy Q, and oh yeah, that other rapper, Kendrick Lamar. Reason is the only one of all of them to drop an album in 2020, so the pressure is on!

Word on TDE is Kendrick might leave TDE for Dave Free’s label (one of Kendrick’s this high-school friends). I would assume he got screwed or massively underpaid for providing the biggest platform for TDE while the TDE owners soaked in all the money. Just a guess.

Anyways, I enjoyed REASON’s album a lot because he’s a good lyricist (see Verse 2 below) and is passionate. A lot of artists either don’t give a shit what they’re saying or sound like they don’t, and it’s refreshing to hear someone that sounds like their soul is on fire and they need to extinguish something. Or as REASON says, “I gotta say it wit’ my chest.”

What’s wild for a debut album on a major label is that REASON is already showing doubts of his relationship with TDE. More abnormal, he’s being open and honest about it on this mixtape’s last track, “Windows Cry.” Verse 2 is phenomenal:

Prayed to be gifted and got it from rappin', ain't that ironic?
Discussin' deals with white women and vodka tonics, uh
Like who are you, nigga? Oh, you different, different
Oh, you gifted, gifted, then let's go back to your contract
Nigga, listen, listen, paranoia lifted
Look, you so fuckin' clueless, let's break it down?
You signed a paper to get rid of your niggas, now you got strangers
At the worst fuckin' moment you could 'cause your life is changin'
You heard the stories of labels puttin' artists in danger
Use 'em up for hits, never pay 'em and then replace 'em
And now you're steppin' into unfamilar situations
Of a label that's like family but adopted you for paper
While you tryna be the greatest and pursue your vison
You call and get the voicemail, nigga, who gon' listen?
They only care about the money, nigga, screw your vision
This shit's so fuckin' screwed up, now you screwed up in it
They got you sittin' on the bench, you gon' lose your listens
You gon' hurt your fans, you gon' lose your mentions
You tryna grow as big as Dot, tryna move your image
Now you got Dave pushin' buttons and he grew up with him
What's his motive, nigga? Can't never trust him
They make Ali mix your vocals, nigga, without discussion
This shit crazy, you so hopeless, nigga
You got Top's son as one of your managers
And you barely even know this nigga
If you and Top get in some shit, who he ridin' for?
Who he slidin' for? Wait, wait, they comin', shh, shh
Let's keep it quiet, low, can't let 'em know you doubtin'
They'll take offense and say you're spoiled, "REASON always poutin'"
You gotta trust the process, days slowly countin'
Where your music at? Where you been, nigga?
I'm just hopin' all these thoughts don't turn reality
Hope September 12th don't turn into my casualty
Windows cry

Speaking of rappers, I think the best rapper right now is JID. He’s everywhere right now doing features with all sorts of rappers, and he’s always got the best verse. Need proof? Check his verse against one of my fave rappers, Isaiah Rashad, and Reason in “Extinct” or his verse on “Shiva” with EARTHGANG. He’s just on another level right now, and his name is getting a ton of love. He just needs to release a classic album. We’re all waiting. If anyone can take the crown from Kendrick, it’s JID. But I ain’t betting against K Dot!

Speaking of great rappers, I stumbled upon Che Noir, a female rapper whose album As God Intended is awesome. The whole album flows and she’s a hell of a rapper.

On a totally different spectrum, we got some Fleet Foxes, Kurt Vile & John Prine, and Doves, all three of which are completely different from each other! Still thinking this new Fleet Foxes album is very good but ranks #3 of 4 on their discography.

Kurt Vile continues to make music in his own meandering ways, and this time he brought along old timer John Prine to make a beautiful duet.

Finally, Doves. A band I loved almost two decades ago. They’ve come back with an impressively great rock album, their first in 11 years! Definitely, definitely worth a listen if you like these guys. And if you’ve never heard of them, please listen to 2011’s The Last Broadcast.

Have a good week all!

Monday Mixtape, Vol. 169

If this first track isn’t the party rap anthem off the year, I don’t know what is. This song is amazing, and it’s got some rappers I love like Big K.R.I.T and Curren$y and a new one I’ve gotten into recently, Smoke DZA (who appears again on this mixtape with Joey Bada$$ in “The Mood”).

Really digging this new The Neighbourhood album. I will continue to put tracks from their album on upcoming mixtapes. Their sound shifts a bunch, so it’s hard to even tell it’s the same artist. See if you can spot it next week!

Shout out to Sean C. for letting me know Roosevelt released some new stuff. Hopefully, that means an album is around the corner!

If you haven’t heard of or heard IDLES before, be prepared. They are raucous. Their live shows are raucous. It’s a rowdy bunch, and their lead singer REALLY gives it his all in live shows, you should just check them out on YouTube if you’re digging what they’re spinning.

Fleet Foxes released their fourth album a week ago!! I have been digesting it constantly. On first blush, it is a really, really good album. It’s not as good as Helplessness Blues, my favorite of theirs, and it probably can’t overtake their debut album, but it’s still a really solid album. Robin Pecknold’s vocals are in the stratosphere, I think he’s such a talent, a dark soul trying to come to some light through his music. Couldn’t imagine any other voice of Fleet Foxes (though spoiler, he lets someone he met from his time at school in Oxford sing the beginning of the first track).

I’ll be putting much more from this album on future mixtapes.

Happy Monday. Go make something of yourself.

Monday Mixtape, Vol. 168 - Sufjan Stevens' The Ascension Meets Radiohead's Kid A

I’ve got an interesting mixtape for this week thanks to Sufjan Stevens blowing my mind with his latest album, Ascension. I immediately got vibes of (one of) Radiohead’s masterpieces, Kid A.

The influence is uncanny, and I’ve never heard a better album that maintains an artist’s own brilliance (listen to the intense and otherworldly“Death Star”) while also paying tribute (knowingly or unknowingly) to Radiohead’s classic from twenty years ago.

This week’s mixtape features my favorite songs from Stevens’ new album followed or preceded by the song from Kid A that I believe influenced the sound.

Kid A was WAY ahead of its time, and Stevens’ album sounds part of the time. The album can be chaotic and pulsating, lonely as the single star shining in the night, holy and ethereal, or all the above in one track.

The album is purely electronic, and the result puts Stevens’ talents in a rare stratosphere. This album is HEADPHONE/VINYL MUSIC: you have to hear it purely to get every strand and syllable, each whisper, every key collaborating into a galactic explosion of electronics and beauty. I’m just blown away.

The Ascension is a long album (1 hour 20 mins). It’s heavy (“a season of pain and hopelessness,” as Stevens says in “The Ascension”) and deals with dark and hopeless thoughts. Musically, it’s the complete opposite of his last album, the amazing “Carrie and Lowell,” but thematically, it has a lot of parallels.

I still haven't tackled Stevens’ earlier stuff, which is highly beloved and acclaimed, particularly 2003’s Michigan and 2005’ Illinois. I will get to it shortly.

But in the meantime, I hope this mixtape strikes a chord with those who love Stevens., Radiohead, or are just discovering one of them!

Monday Mixtape, Vol. 167

Don’t have a lot to say on this Monday, but this is a great playlist to smoothly transition into the start of the week. Let’s work on stopping the fear mongering that the media and politics and WHAT FEELS LIKE EVERYTHING AROUND US is spewing. People can’t take away your positivity or hopefulness.

Monday Mixtape, Vol. 166

It was 2012, I was a spry 28 years old spending a weekend at Austin City Limits in Austin, TX with a group of great friends and music lovers. We walked into the concert at Zilker Park in the early afternoon on a sunny Friday to a band I had heard of but never heard, Delta Spirit.

The song we heard is indelibly marked in my brain as a reminder of that day, that weekend, and the joys that music can bring, bringing friends closer together:

“Tear It Up,” from Delta Spirit’s self-titled third album, was the opening to our weekend of fun and a hell of an anthem. What a memory.

Eight years have passed, and Delta Spirit just released their fifth album, What Is There. I’ve listened to it all the way through a few times, and it’s great. I want to say it’s their best, but I’m still debating whether their self-titled album was better.

Wherever I end up on that internal debate, nothing will take my ears off of “Making Sense,” the first track on today’s mixtape, and on e of the best songs Delta Spirit has made. There’s something to the spacey synth that punctuates this song. It ties together a typical yet great Delta Spirit song.

“The Pressure” is another banger by Delta Spirit on the mixtape. Their energy is infectious and the pace non-stop.

Another thing I’ll never forget from that awesome set at ACL in 2012 was their frontman/guitarist, Matthew Vasquez, in the midst of his band going to town on a hard rock interlude, started climbing the scaffolding on the side of the main stage. Easily twenty feet into the air, high off god knows what (I can’t imagine it was just life at 1pm in the afternoon, but who am I to judge?), he starts dangling with one arm and swinging on the scaffolding.

We’re all witnessing a potential death while also getting to see some crazy rock star shit a la Eddie Vedder.

I remember the look on his bandmates’ faces. They continued to play, but they all saw their future falling before their eyes in the name of rock. Most of them looked slightly bemused. No one was angry, no one was particularly scared. That was Matthew being Matthew, I suppose.

But I’ll remember the energy. The feel of the crowd’s shock, fear, and genuine appreciation of some dude’s craziness and commitment to being a showman.

Vasquez climbed down easily, grabbed the mic, and screamed on.

Monday Mixtape, Vol. 165

So much great stuff for you on this Monday! We start it off with Pink Sweat$, a chubby black guy who physically (and I guess a bit musically too!) reminds me of PM Dawn (who gets a nostalgic nod on this mixtape too) while musically reminding me of an amalgamation of Frank Ocean, Bruno Mars, and Khalid. And let’s also give respect where respect is due: he’s got the best album cover of 2020 on wrap:

Another newcomer, Nick Grant, is one talented rapper. Loving “FEDS” and been listening to him a bunch recently. You’ll hear more of this guy.

As usual, Justin Vernon is in high demand. He was on a Taylor Swift track from her phenomenal new album, and he’s got an appearance on a song on The Japanese House’s recent LP.

For the David Byrne / Talking Heads fans out there: Whitney came out with a cover of “Strange Overtones,” and they put a tad of a spin on it while staying true to its roots, so I think it plays pretty well.

Speaking of Talking Heads’ covers, I recently got the 10th Anniversary vinyl edition of Local Natives "Gorilla Manor” (one of only 1,000 made!). Gorilla Manor is easily one of my favorite records of the past decade, and it always gives me nostalgic memories of where I living, what I was doing, who I was, and so much more. Albums that really bring you back to a time yet still resonate on listens today are truly special. And my goodness, does “Wide Eyes” sound amazing on vinyl! (Sorry, no Local Natives on today’s mixtape.)

Every track Arlo Parks has released in the past couple years, I’ve been totally digging. She always has good beats, and she reminds me a bit of Clairo (maybe it’s the voice?) but she’s got more rhythm. Check her out.

Finally, a favorite of mine, Sir Drake. I didn’t think the use of “baby” so often could actually turn into a catchy track. The video is also pretty funny as he’s just getting embarrassed by pro athletes on Nike’s campus (and yes, also a pretty huge marketing ploy though I don’t think Drake is on Nike but all the other people are).

Drake’s the best. I just love him. I love all the haters of Drake, and the people that don’t consider him a rapper, or think he’s weak or whatever, it’s comical to me because they get SO UPSET. It’s just like, dude, just go back to listening to Gucci Mane and leave me in peace. Not ironically, but this Drake track is all about all the dumbs rappers that talked shit to Drake and spoke of the huge life they lived, yet now they’re broke and fell off the map. The consistency of Drake’s quality is ridiculous. It’s still going. And I’m loving it.

That’s all, have a great week.

Monday Mixtape, Vol. 164

It’s Monday. So here’s a mixtape of the rap variety with a dash of the incomparable Glass Animals, who certainly know their way around rhythms.

Monday Mixtape, Vol. 163

Happy Monday, and what a great mixtape I have for you today! There’s been a lot of new stuff that’s been released as well as discovered, so buckle up.

I was surfing YouTube, and you know how if you hover your cursor over a video, it will give you a bit of a preview? Well I came across this video from some band named Parcels:

My gut instinct said I had to click on this video because these guys were either going to REALLY suck or be awesome. Mr. Mustachio in the White Turtleneck?? This guy is either a total clown or the dude can get down. So which one is it? Take a listen and make your own decision.

I was amazed by how serious and how soulful these dudes were. Not only is their music soulful, but they all look like they’re totally locked in and making love to their own sound and melody. THESE GUYS LOVE THEIR MUSIC. And who can blame them??

I've been listening to this live album nonstop on Spotify, but I actually enjoy it much more on video because you really get a feel for how all these sounds are made as the director does a great job exhibiting all of the musicians playing their tools.

Also, Parcels’ transitions between songs is really cool to watch live. Since I had never heard them before, I wasn't totally sure when a new song started because their transitions are so smooth and seamless.

Parcels only has one album from 2018, and even if you listen to that album, which is super enjoyable, you can tell how far they’ve come as musicians in the past couple years. Very cool to see a band develop in talent like this.

These boys from Down Under are like a mix of Daft Punk, a dash of the Bee Gees (or maybe it’s just that blonde dude’s hair), a dash of the Doobie Brothers, maybe a little Phoenix, all updated to current times.

So guess who else dropped new albums? Taylor Swift and Logic. I really, really, disliked Taylor Swift’s last album. I thought it was a terrible, recycled sounding waste bin of pop music. Ouch. Just when I thought it couldn’t be worse, I was right because Swift released a truly phenomenal piece of music, folklore, easily one of the best albums I’ve heard this year.

Swift’s albums flows perfectly, draws on a sound, theme, and tone, and doesn’t waver too far, creating an incredibly cohesive piece of work from start to finish. I found it refreshing that the album’s songs took on all sorts of characters and stories instead of Swift’s well-worn personal travails. It was time for her to dig in elsewhere and find emotion.

There’s not one bad track and multiple standouts. My two favorites, at least as of today, are “the last great american dynasty,” “invisible string,” and “august.”

While “august” sounds like a somewhat typical pop song, I’m a sucker for any track where the singer just really wails out in emotion, hitting a high note you rarely hear her hit. Swift does it at around 2:00, “cuz you were miiiiIIIIINE TO LOSE!”

There’s something Sufjan Stevens about “invisible string” that I love, and I thought her best storytelling was on “the last great american dynasty.”

Now to Logic. He has claimed that he is retiring so he can be present during his son’s life. An incredibly admirable thing to do, and I hope him the best. I’ve always liked Logic, and he’s always been hated on as another “white rapper,” although he’s biracial (but you’d assume is white if you didn’t bother to research him).

He’s got technical talent, and I’ve always loved his beats and influences as well as one of those rappers who seems mostly to be real to himself and not pretend he’s something he’s not. Always respected that, and I wish he got more credit that he does. But this is a great album to go out on, possibly his best.

The album harkens back to the 90s - early 00s, particularly showing some love to Outkast, Tribe, MF Doom, Kanye, and even Solid Snake from Metal Gear Solid! Once a gamer, always a gamer!

Oh, and I put Kyle on here. Great rap track.

Have a good week all, stay safe.